Then huge CLOSEUP of EYES opening, gazing into mirror, HAND applying makeup, sudden BLACKNESS, then -
PRINCE (CONTD)
Thats right... a world of never-ending happiness,
You can always see the sun -
Day or night.
BURN IN MAIN TITLE: "PURPLE RAIN"
PRINCE (CONTD)
So when you call up that shrink in Beverly Hills,
You know the one - Doctor
Everythingll Be Alright -
1492: CONQUEST OF PARADISE
??
by
Roselyne Bosch
REVISED
September 23, 1991
??
??
FADE IN:
CREDITS AND MUSIC OVER:
INT. AUDIENCE ROOM - GRANADA - DAY
We start on a mans elegant slipper. He is seated in a
splendid chair. Moving up the stocking leg, we pass the
garter of Castile, coming to rest on a pair of delicate
hands. His fore finger impatiently plays with a large
topaz ring. Over this, we hear
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e
THE AMERICAN PRESIDENT
Screenplay
by
Aaron Sorkin
FADE IN:
As the OPENING TTTLES ROLL against a series of shots of
statues and paintings of former presidents, we HEAR shards of
dialogue from various presidential speeches.
MAIN TITLES END ON
EXT. BEAUTIFUL ESTABLISHING SHOT OF THE WHITE HOUSE - DAY
Its an early November morning, and the sun has just come
over this extraordinary building. WE HOLD
Predator
Written by
Jim Thomas and John Thomas
FADE IN
1 EXT. OUTER SPACE 1
The infinite blackness punctuated by a billion stars.
As we slowly DESCEND through the varied shades of blue
of the Earths atmosphere, we HEAR the first strains of
a haunting, Central American FLUTE, joined by a swelling
background of JUNGLE SOUNDS. We descend further,
through a lush JUNGLE CANOPY, backlit by a setting su
Gattaca
A Screen Play
by Andrew M. Niccol
FADE IN
A white title appears on a black screen.
"As night-fall does not come at once, neither
does oppression...It is in such twilight that
we all must be aware of change in the air
- however slight - lest we become victims of
the darkness."
Justice William O. Douglas
The title fades off, replaced by a second title.
"I not only think that we will tamper
BOUND
by
Larry and Andy Wachowski
??
FADE IN:
Inside a closet.
It is a large closet with double doors, a crisp line of
light cutting down through the center of the darkness.
As we begin to descend, we hear a mans stern voice.
MAN (V.O.)
I know your type. Your type is
dangerous.
We move past a shelf filled with hat boxes and hand bags.
It is a womans closet.
MAN (V.O.)
You know how to act, how to
FREDDYS DEAD - THE FINAL NIGHTMARE
FADE IN:
INT. DC-10 AIRLINER - NIGHT
JACOB JOHNSON is sleeping. It doesnt look like a pleasant
experience. He is sixteen, dirty blonde, his eyes visibly
moving under closed lids as he sits huddle under a blanket in
his window seat. The lights are dim -- the shade on the
window closed -- a bead of sweat dribbles down his forehead.
The HUMMING of the jets eng
My Best Fiend Script
First...
...cast the beam out
of thine own eye...
...and then the mote from mine.
- Jesus takes off his shirt...
- And lets others speak.
...he kneels before the first one...
...washing his dusty feet
with his shirt.
I am not the Jesus of
the official Church...
...who the police, bankers...
...judges, hangmen, officers,
church bosses, politicians...
...and other powerful
peop
JASON GOES TO HELL: THE FINAL FRIDAY
??
Story by Jay Huguely & Adam Marcus
Screenplay by Dean Lorey & Jay Huguely
FADE IN:
??
1 EXT. CRYSTAL LAKE - DUSK
??
Were rapidly moving across the water, skimming, towards the
dark woods on the far shore.
??
??
2 EXT. BACK ROAD/INT. TOYOTA CELICA - DUSK
??
ELIZABETH MARCUS drives her Toyota Celica along this heavily
wooded road. Shes a young woman, innocent