boy.
Youre not too big for a whipping.
- I know, you proved that to me.
- Youre pushing it. Youre right on the edge.
- I just stopped at the corner for cigarettes.
- Stop your whining.
Youre gonna be a man
by smoking cigarettes?
Now youre growing a little fuzz over here?
Learn how to take some orders.
You hear me?
- I didnt hear you.
- Yes, sir.
Im so excited.
- Tricia, look at the fireplace.
HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
Its magnified and deeply revealed. Flecks of green and yellow in a field of milky blue. Icy filaments surround the undulating center.
The eye is brown in a tiny screen. On the metallic surface below, the words VOIGHT-KAMPFF are finely etched. Theres a touch-light panel across the top and on the side of the screen, a dial that registers fluctuations of the iris.
The instrument is no bigger than a
Night Moves Script
Beep. How I hate these goddamn machines.
Its Nick, babe. I got one for you, Har.
Needs a real live detective
and not one of our computers.
Its a lady called Arlene Iverson.
Sunset Plaza.
Looking to get her daughter home.
Shes an old friend. Used to be
in the movies. Maybe you remember.
If you take the job, stop by the office.
Ill give you what stuff we have on Arlene.
Bye-bye,
Me Myself And Irene Script
I got a star on my car and one on my chest
A gun on my hip and the right to arrest
Im the guy whos the boss on this highway
So watch out what youre doin when youre drivin my way
If you break the law youll hear from me l know
Im working for the state Im the highway patrol
Well, you know me when you see me cause my doors painted white
My siren a- screamin and my flashin r