railing.
CLOSEUP: HELEN
HELEN
The cycle is endless until they are
caught. And they are caught by
chance -- they run a red light, and
a body is in the trunk. A leaking
pipe brings a plumber to a basement
where they is the smell of death.
Her eyes have come to rest on the spot of the camera eye in
the balcony... Her voice chokes off. She stares.
HELENS POV:
Sitting in the front row of the balcony,
laser show.
DA VINCI
(silencing authority)
Basta vapore.
The apprentice throws a lever. A shunt near the furnace
turns. Steam escapes upwards. The machine immediately
slows down. Da Vinci oh-so-gently coughs and moves for-
ward with tongs.
A LITTLE TROUGH - IN THE MACHINES INNARDS
comes to a trembling, mystical halt. Right behind this
trough is a CONPLEX POLYHEDRON CRYSTAL as intricately
modulate
laser
trail behind it. One turns abruptly, creating a wall in front of the
other.
??
CUT TO:
??
4 REAL WORLD 4
??
Screen of a video game, the Real World version of light cycles,
as we see one of the lines smash into another and disappear.
??
5 THE REAL WORLD 5
??
We see teenagers, strangely lit from below with bluish light,
their hands on electronic controls, levers, knobs. We HEAR
electronic bee
RELIC
a screenplay by Amy Holden Jones
based on the book by Douglas Preston and Lincoln Child
March 16, 1995
TITLE CARD... BELEM BRAZIL - JULY...
EXT. BELEM STREETS - NIGHT
A taxi careens down narrow roadways at breakneck speeds.
INT. TAXI - NIGHT
In the back seat is WHITTLESLEY. Early 40s, the wreck of a once
handsome man. Unshaven. Sweat stained. Rail thin. Scratches on his
arms, a fresh scar
laser tracking system and barks
one-word questions to his JAPANESE CREW. The Sailors work the consoles
and give clipped monosyllabic answers.
The JAPANESE SCIENCE OFFICERS go over charts on the electronic
position board, a contiuously-shifting graphic representation of the
ocean contours below.
Behind them is an elaborate DEPTH GAUGE with computerized graphics.
READ: 34,000 feet and dropping. The
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