rough
over there, Melvin.
That was a long time ago.
Memories shift.
Do you have dreams, sir?
Everybody has dreams, corporal.
No, not these.
No, I dont.
I write it all down.
You know, like, every night,
right when I wake up,
I try to get it down.
It doesnt always come together,
you know,
not everything that I can remember.
Maybe you should go
to the V.A. Hospital,
talk to one of the doctors.
- Ive
rough wind and stinging snow cut across the mans
path.
??
??
DISSOLVE TO:
??
??
The man is ERIC DESMOND, twenty-four, clean-shaven,
determined. Hes clearly out of place here, dressed in a
business suit and a light, camel-hair topcoat.
??
??
Eric is trying to follow some footprints in the snow -- a
predators tracks, those of a wolf or coyote. But the
footprints ahead have faded, covered by the sno
TRON
Based on the screenplay by
Steven Lisberger and Bonnie MacBird
??
Fourth Draft Screenplay by
Charlie Haas
April 6, 1981
??
BLACKNESS
1 THE ELECTRONIC WORLD 1
On one side of the screen, computer programming language is being
printed, and we HEAR the sound of an electronic keyboard. In the
center of the screen, glowing lines inscribe a rough computer
simulation of a figure, in response to the
terrain, the tiny fields of cultivation, strands of sound are woven through the main titles, borne on the wind, images from the life we are seeking:
British: "Who the hell is he?!", lower class British: "I dont know, sir." . . . "My name is Gandhi. Mohandas K. Gandhi." . . . A womans voice, tender, soft: "You are my best friend, my highest guru . . . and my sovereign lord." . . . A man (Gandhi):
rough a geography of living cells. Invaders.
Territory is overrun. The view is like an aerial recon
photo of an alien land -- at war.
SUPER: CATEGORY - FILOVIRUS
STRAIN - EBOLA ZAIRE (Z)
FATALITY - 88% KILL RATIO
SURVIVORS - 12% IMMUNE ANTIBODY
CURE NONE - NONE
MATCH DISSOLVE TO:
EXT. AERIAL POV - LANDSCAPE - AFRICAN TERRAIN - DAWN
Rivers, gleaming in the sun, thread like spaghetti through
a geog