Shakespeare uses so many imaginary characters from myth and superstition.
Oberon
I do but beg a little
changeling boy,
To be my henchman.
Titania
Set your heart at rest.
The Fairyland buys not the child of me
Oberon
All I’m asking for is to have that little human boy as part of my crew.
Titania Get over it. I won’t give up this child for all of Fairyland.
Now Titani
A SWIM WITH ME.
THATS ALL
I HAVE TO DO.
DONT TRACK UP
THE FLOOR, NOW.
I WONT.
" OH, MEET ME
IN ST. LOUIS, LOUIS "
" MEET ME AT THE-- "
AH-CHOO!
" DONT TELL ME
THE LIGHTS ARE SHINING "
" ANYPLACE BUT THERE "
" WE WILL DANCE
THE HOOTCHIE-KOOTCHIE "
" I WILL BE
YOUR TOOTSIE-WOOTSIE "
" MEET ME
IN ST. LOUIS, LOUIS-- "
" MEET ME
IN ST. LOUIS, LOUIS "
ILL BE OUT
IN A MINUTE, AGNES.
ALL RIGHT,
GRANDPA.
TRACKING DOWN the line of empty, open capsules. Frozen twilight. The final four capsules are sealed, lids in place.
ANGLE - INSIDE CAPSULE
NEWT, then RIPLEY. HICKS next, his head and chest bandaged. Then BISHOP in his caul of plastic. But the lid of Bishops capsule is misted with hothouse condensation.
CLOSER
A tear of fluid streaks the condensation.
An alarm SOUNDS.
A monitor begins to scroll da
AND REVEALS THE inside of a domed city honeycombed with fantastic arches. The city is inhabited by young beautiful people in luxurious but simple costumes.
THE CAMERA ROAMS through the City, observing some people seated at a kind of cafe sipping drinks and relaxing; other people are in some kind of exercise class doing beautiful graceful movement; and finally a class of five year old children lis
2-3막의 주요내용은 오베론이 사랑하는 드미트리어스의 사랑을 받지 못하는 헬레나를 가엾게 여겨 이 둘을 이어주기 위해 드미트리어스 에게 눈에 바르면 잠에서 깨어나 처음 본 사람에게 반하게 되는 꽃즙을 발라주라 명한다. 하지만 일이 잘못 꼬여서 이미 허미어를 사랑하고 있는 라이샌더의 눈에