SERIAL MOM
by
John Waters
Second Draft: July 22, 1992
1. Film opens with prologue title: "This is a true
story. The screenplay is based on court testimony,
sworn declarations, and hundreds of interviews
conducted by the film-makers". Fade out.
Fade in to second prologue title: "Some of the
innocent characters names have been changed in the
interests of a larger truth". Fade out.
Fade in to final
TRON
Based on the screenplay by
Steven Lisberger and Bonnie MacBird
??
Fourth Draft Screenplay by
Charlie Haas
April 6, 1981
??
BLACKNESS
1 THE ELECTRONIC WORLD 1
On one side of the screen, computer programming language is being
printed, and we HEAR the sound of an electronic keyboard. In the
center of the screen, glowing lines inscribe a rough computer
simulation of a figure, in response to the
draft.
I subsequently spent the next year overseeing Ted and Terry, and reworking the writing to accommodate my directorial vision. They had already distilled the entire series of comics down to 120 pages (a near impossible task) and they just needed some continued focus to score a goal. I kept the basic structure that they had created, but refined some of their more Hollywood-ish ideas. Ted and
HIGHLANDER III
by
Brad Mirman
First Draft
PROPERTY OF DAVIS/PANZER PRODUCTIONS
1
??
FADE IN:
??
EXT. COUNTRYSIDE - DAY
The end of Winter. SNOW blankets the landscape. A SMALL
STREAM rushes through the VALLEY. A clear, blue sky hangs over
the DISTANT MOUNTAINS adding to the beauty of the setting.
SUPER IMPOSE: SCOTTISH LOWLANDS - 1665
The CAMERA begins to PAN. The color of the SNOW begins to
chang
THREE KINGS
a screenplay by
David O. Russell
Story by
John Ridley and David O. Russell
Draft Date: 6/22/98
FADE IN:
EXT. IRAQI DESERT - DAY
WIDE ANGLE POV of wide open desert, flat grey sky.
THE CAMERA is running forward, toward a big sand berm in the
distance. There are O.S. sounds: SOLDIERS EQUIPMENT
CLANKING, BOOTS RUNNING ON SAND. Hear a MANs BREATHING.
The back of his helmeted head and his u