1492: CONQUEST OF PARADISE
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by
Roselyne Bosch
REVISED
September 23, 1991
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FADE IN:
CREDITS AND MUSIC OVER:
INT. AUDIENCE ROOM - GRANADA - DAY
We start on a mans elegant slipper. He is seated in a
splendid chair. Moving up the stocking leg, we pass the
garter of Castile, coming to rest on a pair of delicate
hands. His fore finger impatiently plays with a large
topaz ring. Over this, we hear
PITCH BLACK
Screenplay
by
David Twohy
Based on material by Ken and Jim Wheat
Revised First Draft
3/3/98
Though mentioned often in the script, the creatures in PITCH BLACK are
seldom seen at length; rather, they are glimpsed, they are heard, they are
felt. They are, really, the embodiment of your nocturnal fears: A howling
coyote that jars you awake; the painting on the wall that comes to life
AVATAR
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REPRODUCEDSOLDOR DISTRIBUTED BY ANY MEANSOR QUOTED OR PUBLISHED IN
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TWENTIETH CENTURY FOX FILM CORPORATION.
?
THE SOUND OF DRUMSfrom a great distancegrowing louder.
FADE IN:
WE ARE FLYING through
His is the only one still occupied, and it doesnt look that permanent. In the window is a cardboard, handwritten sign that reads "Kwans Shaolin Kung Fu". What remains visible behind the poster and the security grate is an IMPRESSION of people moving and milling around.
INT. WORKOUT AREA - SAME NIGHT
ESTABLISHING SHOT OF KWANS SHAOLIN KUNG FU SCHOOL.
The students are doing their own thing, and the
First, a sky over chimney pots and church towers, with masses of thundercloud and a black cloud moving toward the sun.
Cut to:
Piccadilly Circus, London. Flower sellers (women in shawls with baskets) seated round the base of the Eros monument. Among them Liza Doolittle, the only young one. The rest are elderly or middle aged. All, including Liza, are too poorly clad and dirty to be attractive. L