Wes Cravens
A NIGHTMARE ON ELM STREET
1A. INT. (MONTAGE). 1A.
NIGHTMARE MUSIC THEME begins as we FADE UP on a SERIES OF SHOTS,
all CLOSE and teasing.
-- A mans FEET, in shabby work shoes, stalking
through a junk bin in a dark, fire-lit, ash-
dusted place. A huge BOILER ROOM is what it
is, although we only glimpse it piecemeal.
Then we SEE a MANS HAND, dirty and nail-bitten,
reach INTO FRAME and p
SCREAM 3
EHREN KRUGER
2nd DRAFT - REVISED
MAY 2, 1999
FADE IN:
A big dramatic crescendo as we --
OPEN ON:
EXT. HOLLYWOOD FREEWAY - SUNSET - AERIAL
Friday night traffic as usual. Things appear to be backed up all the way to
the valley. A cacophony of car horns rise up on the soundtrack as we slowly
DISSOLVE INTO:
INT. FORD EXPLORER - NIGHT
A new 99 Explorer sits in the midst of the gridlock. Beh
STAR WARS : EPISODE 1
THE PHANTOM MENACE
"A long time ago in a galaxy far, far away...."
A vast sea of stars serves as the backdrop for the MAIN TITLE,
followed by a ROLL UP, which crawls up into infinity.
"EPISODE 1 THE PHANTOM MENACE"
"Turmoil has engulfed the Galactic Republic. The taxation of
trade routes to outlaying star systems is in dispute. Hoping
to resolve the matter with a blockad
Miracle Script
In other news tonight,
a Constitutional amendment
which would allow 18-year-olds
to vote in all elections
cleared the Congress
and headed for the White House
this afternoon.
President Nixon
has given every indication
that he will soon sign
the amendment into law.
This is not an invasion
of Cambodia.
As the increasingly
powerful Soviet military
displayed its arsenal
at this years M
Silence. Gradually the sound of distant traffic becomes audible. A LOW ANGLE bounded on one side by a chain-link fence and on the other by the one-story public school buildings. Spray-can hieroglyphics and distant streetlight shadows. This is a Los Angeles public school in a blue collar neighborhood.
ANGLE BETWEEN SCHOOL BUILDINGS
Where a trash dumpster looms in a LOW ANGLE, part of the clutter b
GLADIATOR
by
David Franzoni
FIRST DRAFT REVISED
April 4, 1998
FADE IN:
EXT. NEAR THE GERMAN FRONT - 180 A.D. - DAWN
The rising sun unveils steep hills and luxuriant mountains
untouched by man. Snow flurries dart in the frigid air
and on the horizon CROWS gather.
EXT. DIRT ROAD
A column of Praetorian Cavalry flank two enclosed wagons
as they rattle along a rock and log accordion road. On
all sides
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they move in herds among the glittering rows of cars jammed bumper to bumper. Heat ripples distort the torrent of faces. The image is surreal, dreamy... and like a dream it begins very slowly to...
DISSOLVE TO:
EXT. CITY RUINS - NIGHT
Same spot as the last shot, bu
NOTE: Aerial dialogue in caps is UHF radio; plane to plane, plane to carrier. Aerial dialogue in small case is ICS; an inter-cockpit system; a live mike, heard by pilot and RIO only.
EXT. NIGHT
THE PACIFIC IS ANYTHING BUT WINDS HOWL. Rain drives horizontal. The sea surges up, nearly to the flight deck of the Aircraft Carrier USS Kitty Hawk. The carrier plunges, driving its bow into a wall of gre
REINDEER GAMES
by Ehren Kruger
FADE IN:
A FIGURE IN A SANTA CLAUS SUIT
lies face-down in a nighttime expanse of snow. One of the bodys
red-sleeved arms is twisted at a sickening angle. The white snow
beneath the figure is spreading with red.
REVEAL EXT. SNOWY ROAD - NIGHT
The figure in the suit lies motionless. Snowflakes drift.
INT. HALLWAY - NIGHT
Dark, rustic wood, an office with broken window