housands of Jew who pour through each day.
Then we see the eyes themselves that look up at them.
A LITTLE BOY. A boy who will not die this day. A boy
who will live to see the end of the war and the world of
the future.
He stares at the metal wire with an unusual fascination.
The boy looks up at HIS WORRIED PARENTS - a sturdy-
looking couple who try to smile and comfort him.
The corridor comes to
Three of these creatures are men: the fourth is a woman. She is tall and has a magnificent body which is shown to its best advantage in a Krypton outfit that reveals more than it conceals: high boots, a clinging body suit, and all shiny black. Long raven hair frames a strikingly beautiful face; her eyes are almost fiery in their grace. A woman whose beauty makes strong men weak, she is consumed b
A large and very comfortable office over-looking St. Patricks Cathedral. At the moment the office is filled to bursting with men and women, slumped in chairs, sitting on desks, all of them very tense. Among the crowd of people we note: MURRAY FISHER, a young and very ambitious junior executive and PHYLLIS BERNARD, an attractive woman in her early thirties. She is a lawyer with the agency.
At the
저는 이 과목을 통해서 교수님 수업을 3학년이 된 지금에서 처음 듣게 되었습니다.
미국문학개관을 처음 신청 하게 된 이유가 사실 전공 필수 과목이었기 때문이었는데 지금 생각 해 보면 왜 필수로 이 과목을 배워야 하는지에 대해서 조금은 알 것 같습니다. 영문학과를 다닌 다고 말을 하고 다니기엔
DARK CITY
by
Alex Proyas
& Lem Dobbs
Revised draft May 9, 1994
INT. OPENING MONTAGE
OVER BLACK a low rumble increases in volume.
FADE UP:
A GLOVED HAND wraps around a bulky scissor-switch, thrusts
DOWN.
SNAP! - Electricity arcs through darkness.
OS SOUND of MACHINERY turning on.
TITLES OVER
MONTAGE OF CLOCKS - VARIOUS. The clocks are frozen, then second
hands turn - TICKING gets louder...
EXT. CI
HOUSE on the
100th floor. Subtle spots which bathe paintings, sculptures,
in a cavernous coldly-decorated space.
Swiftly, deftly, the Thief rigs a suction-mounted HARNESS to the
steel casing above a massive window. Pulleys, metal caribiner
clips, yellow Kevlar ropes. So superbly practiced, the rigging is
placed in seconds, huge SUCTION CUPS pressed to the surface of the
glass. The Thief reaches t
Houston, Stephen Austin, Juan Seguin. A
new parent, CELIE PAYNE, stands in the middle of the otherwise
empty classroom.
CELIE
He went to school on base when we
were in Okinawa. its all--you
know--kids in the same boat--Army
brats.
PILAR
His record shows that hes a good
student.
CELIE
Im more worried about the social
thing. Are there like--gangs,
or...?
PILAR starts to put the poster up. CELIE mov
housand miles
away from home.
And I dont even know my name.
But I aint crying.
No, I aint crying, because Im
gonna be a free man in the morning.
You hear that, fellas?
A free man!
The sheriffs gonna open up
his cage...
and Im gonna be as free
as a bird in the morning.
Hey, maybe I can try putting
a couple of rhymes together...
Sing something dependable
like "Home on the Range".
I aint gonna sing
MR. BEAN
By
Richard Curtis
And
Robin Driscoll
INT. NATIONAL GALLERY. BOARDROOM - DAY
A very grand room, with lots of wood and some very famous portraits round the walls.
A group of grave gentlemen and gentlewomen. They are the trustees of the National Gallery. LORD WALTON, a very grand man, sits at the table head. To his right sits his assistant, GARETH. All are deep in thought. LORD WALTON fidge
THE MATRIX
by Larry and Andy Wachowski
FADE IN:
ON COMPUTER SCREEN
so close it has no boundaries.
A blinking cursor pulses in the electronic darkness like a
heart coursing with phosphorous light, burning beneath the
derma of black-neon glass.
A PHONE begins to RING, we hear it as though we were
making the call. The cursor continues to throb,
relentlessly patient, until --
MAN (V.O.)
Yeah?
Data no