HOT ZONE
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Screen story & screenplay by
Jim V. Hart
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Based on "Crisis in the Hot Zone"
by Richard Preston
"You might call AIDS the revenge of
the rain forest..."
Richard Preston
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"These diseases are true emergers.
Humans have truly stumbled into
these occult agents."
Dr. Karl Johnson
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"Weve got company!"
Han Solo
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BLACKSCREEN:
LEGEND: IN 1976, OUTBREAKS OF LETHAL HEMORR
TRUE LIES
WRITTEN
BY
JAMES CAMERON
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TITLE SEQUENCE
1 EXT. MOUNTAINS, NEAR GENEVA, SWITZERLAND - NIGHT
The snow covered Alps stand out clearly in the light of a full
moon. A fortress-like CHATEAU is situated in a flat saddle of
forest partway up the mountain, next to a frozen lake. The
property is surrounded by high stone walls, and the stately
grounds are bathed in floodli
Starship Troopers
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Screenplay by Edward Neumeier
Based on the novel by Robert Heinlein
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1 FROM THE FEDERAL NET -- NOTICE -- JOIN UP NOW !
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Proud YOUNG PEOPLE in uniform, the bloom of human evolution.
YOUNG PEOPLE
Im doing my part... Me, too...
Are you ?
The mobile infantery logo: LIGHTNING BOLTS ON A BLACK SHIELD.
OFFICIA
A womans face BACKS INTO SHOT, her head resting against grimy wallpaper. She is tense, sweaty, wide-eyed with concentration. This is CLARICE STARLING - mid-20s, trim, very pretty. She wears Kevlar body armor over a navy windbreaker, khaki pants. Her thick hair is piled under a navy baseball cap. A revolver, clutched in her right hand, hovers by her ear. She raises a speedloader, in her left hand,
RELIC
a screenplay by Amy Holden Jones
based on the book by Douglas Preston and Lincoln Child
March 16, 1995
TITLE CARD... BELEM BRAZIL - JULY...
EXT. BELEM STREETS - NIGHT
A taxi careens down narrow roadways at breakneck speeds.
INT. TAXI - NIGHT
In the back seat is WHITTLESLEY. Early 40s, the wreck of a once
handsome man. Unshaven. Sweat stained. Rail thin. Scratches on his
arms, a fresh scar
Confessions Of A Teenage Drama Queen Script
Goodbye, sweetheart!
Take good care of yourself.
Oh, Mummy, you forgot this.
Angel!
I worry so
about you living alone.
Oh, Mother, its adorable
of you to be so concerned,
but Im perfectly capable
of taking care of myself, dear.
Come on, girls.
Goodbye, my chicken.
Yes, Im free!
I can live in New York
on my own.
I can do whatever I want!
Yay!
Yes!
I was
SNOW FALLING ON CEDARS
Screenplay by Ron Bass and Scott Hicks
Based on the novel by David Guterson
May 4, 1998
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. THE SUSAN MARIE, SHIP CHANNEL BANK - NIGHT
Fog. Penetrated only by sound. The LAPPING of sea at a
drifting hull. Tendrils of mist part, revealing...
...a f
Three of these creatures are men: the fourth is a woman. She is tall and has a magnificent body which is shown to its best advantage in a Krypton outfit that reveals more than it conceals: high boots, a clinging body suit, and all shiny black. Long raven hair frames a strikingly beautiful face; her eyes are almost fiery in their grace. A woman whose beauty makes strong men weak, she is consumed b
The credits have that depressing, shitty, this is going to be one of those lousy black and white movies from the 1950s look. This is going to be one of those cheap teen sci-fi movies about a creature
MUSIC. When the female stars name appears, Borodins theme, which will later become adapted into "Strangers In Paradise," plays. Then we return to the stormy part, which subsides as:
THE CREDITS END
T
WITNESS
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Screenplay by
EARL W. WALLACE
WILLIAM KELLEY
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from a
story by
WILLIAM KELLEY
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REVISED DRAFT
APRIL 23, 1984
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1 EXT. LANCASTER COUNTY, PA. COUNTRYSIDE - DAY
(TITLE SEQUENCE)
The faces of several young children are presented in
CLOSEUP, as they walk TOWARD US across a ploughed
field. On the SOUND TRACK, the haunting SOUNDS OF A
GREGORIAN FUNERAL CHANT. The CAMERA PANS UP to the
f