and touching the cheek of the kneeling BRUNETTE in a gesture
of enormous tenderness, a gesture of farewell, while the P.A.
SYSTEM continues its monotonous monotone...
P.A. SYSTEM
Flight 784 for San Francisco is now
ready for boarding at inmate number
66578, Greely.
INT. PRISON DORMITORY/FUTURE - ETERNAL NIGHT
PRISON P.A. SYSTEM
--number 5429, Garcia -- number 87645, Cole...
COLE, late thirties, d
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they move in herds among the glittering rows of cars jammed bumper to bumper. Heat ripples distort the torrent of faces. The image is surreal, dreamy... and like a dream it begins very slowly to...
DISSOLVE TO:
EXT. CITY RUINS - NIGHT
Same spot as the last shot, bu
and West, where you
can eat the finest Oriental food.
Good evening, sir.
This way, please.
Ecco finalmente un amico.
Monsieur Poirot.
Bianchi.
How are you, my friend?
- Good to see you.
- You have saved me from apoplexy.
- Sit down.
- Thank you.
You have not dined well.
The skewers are of better quality
than the kebab.
The bottle is more
distinguished than its wine.
And the coffee.
Fortunately, I
AND STREETS - SERIES OF ANGLES - DAWN
The streets and alleys of Ft. Dupree at dawn. On sound we hear the clucking of DOVES. A garbage truck appears. Details of the mechanisms at the back of the truck.
NEW ANGLE
KIT CARRUTHERS, the hero, a 25-year-old garbageman, kneels beside a dead dog. He inspects it briefly. then looks back at his friend and co-worker, CATO, a stocky man in his forties.
KI
Broadcast News
by
James L. Brooks.
FADE IN
EXT. CITY STREET - DAY
A restaurant supply truck is curbside, near a small
restaurant. GERALD GRUNICK, forty-one, is closing the back
door of his truck, feeling good about the world, a common
state for him. He moves towards the cab of the truck and gets
inside as we SUPER:
KANSAS CITY, MO. - 1963
INT. TRUCK - DAY
As he sits down beaming over his recen
THREE KINGS
a screenplay by
David O. Russell
Story by
John Ridley and David O. Russell
Draft Date: 6/22/98
FADE IN:
EXT. IRAQI DESERT - DAY
WIDE ANGLE POV of wide open desert, flat grey sky.
THE CAMERA is running forward, toward a big sand berm in the
distance. There are O.S. sounds: SOLDIERS EQUIPMENT
CLANKING, BOOTS RUNNING ON SAND. Hear a MANs BREATHING.
The back of his helmeted head and his u
Ernest Goes To Camp Script
[ Crickets chirp, owl hoots ]
[ Drums beating ]
[ Chanting ]
[ Drumming and chanting continue ]
[ Wind whistling ]
[ Wind whistling ]
[ Drumming and chanting continue ]
[ Wind whistling ]
[ Drumming and chanting stop ]
[ Shouts in native language ]
[ Shouts in native language ]
[ Metal rattling ]
Safety first -- thats my motto.
When one is doing dangerous work,
one must
and then SPLATS unceremoniously against the windshield of a white van thats tearing down the road.
INT. VAN - TEXAS / MEXICO BORDER - NIGHT
The DRIVER of the van, a fifty-year-old American, turns on the wipers, smearing the remains all over.
DRIVER
Goddamn bugs.
He squirts some wiper fluid onto the glass, which clears it up a bit, but now he sees something worse up ahead. Its a grouping of headl
THE COMPANY OF WOLVES
unauthorized transcript
of the film by
Neil Jordan and Angela Carter
EXT. WOODS -- DAY
High angle crane shot of an old well, crumbling, surrounded by dead trees
and brown leaves. Crane down to ground level as a large German Shepherd runs
around from behind the well and noses at something hidden in the long dry
grass at the base of the old well.
CLOSEUP of a Victorian china B
and a leather helmet. He is singing, too, but we can몶t hear him or the plane or anything save the singer몶s plaintive voice.
The plane shudders over a ridge. Beneath it A SUDDEN CLUSTER OF MEN AND MACHINES, camouflage nets draped over the sprawl of gasoline tanks and armored vehicles. An OFFICER, GERMAN, focuses his field glasses. The glasses pick out the MARKINGS on the plane. They are Englis