GLADIATOR
by
David Franzoni
FIRST DRAFT REVISED
April 4, 1998
FADE IN:
EXT. NEAR THE GERMAN FRONT - 180 A.D. - DAWN
The rising sun unveils steep hills and luxuriant mountains
untouched by man. Snow flurries dart in the frigid air
and on the horizon CROWS gather.
EXT. DIRT ROAD
A column of Praetorian Cavalry flank two enclosed wagons
as they rattle along a rock and log accordion road. On
all sides
American Pie
by
Adam Herz
WHITE REVISION: 7/7/98
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
INT. JIMS BEDROOM - NIGHT
PAN across details in a bedroom...we see discarded
shirts...pants...socks...and hear
PORNO-CHANNEL CHICK (V.O.)
Oooh, yeah. Oh, baby, youre so good.
JIM (O.S.)
Yeah, Im the best, baby.
Now w
NOTTING HILL
Screenplay by Richard Curtis
Title
EXT. VARIOUS DAYS
She plays through the credits.
Exquisite footage of Anna Scott -- the great movie star of our
time -- an ideal -- the perfect star and woman -- her life full of
glamour and sophistication and mystery.
EXT. STREET - DAY
Mix through to William, 35, relaxed, pleasant, informal. We
follow him as he walks down Portobello Road, carryi
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they move in herds among the glittering rows of cars jammed bumper to bumper. Heat ripples distort the torrent of faces. The image is surreal, dreamy... and like a dream it begins very slowly to...
DISSOLVE TO:
EXT. CITY RUINS - NIGHT
Same spot as the last shot, bu
Great Falls
by
Adam Herz
WHITE REVISION: 7/7/98
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
INT. JIMS BEDROOM - NIGHT
PAN across details in a bedroom...we see discarded
shirts...pants...socks...and hear
PORNO-CHANNEL CHICK (V.O.)
Oooh, yeah. Oh, baby, youre so good.
JIM (O.S.)
Yeah, Im the best, baby.
Now we
THE INSIDER
written by
ERIC ROTH & MICHAEL MANN
11/5/99
FADE IN:
All we can see is black filling the screen... Black on
black...
INT. A JEEP, LEBANON - DAY
And were in a speeding SOVIET JEEP... Two men in front,
shouldering assault rifles. HEZBOLLAH SOLDIERS... And there
are three MEN in the back. A middle-aged Man wearing a tired
suit and tinted sunglasses trying to hold on. And on either
side o
The following is Matt Damon and Ben Afflecks Award Winning Script for Good Will Hunting. It is what Matt Damon and Ben Affleck originally wrote on paper before the movie was made.
FADE IN:
EXT. SOUTH BOSTON ST. PATRICKS DAY PARADE -- DAY
CUT TO:
INT. L STREET BAR & GRILLE, SOUTH BOSTON -- EVENING
The bar is dirty, more than a little run down. If there is
ever a cook on duty, hes not here now. As
The mule and the boy finally reach a camp. A few tents dwarfed by a huge temple door jutting out of the sand. The camp is deserted except for some kids by the temple entrance holding large mirrors, reflecting light into the temple.
Omar leaves his mule in the shade, seizes two goatskins and slips inside the temple.
3 INT. TEMPLE - DAY
Omar makes his way uneasily down a pillared corridor that open
The Abyss
AN ORIGINAL SCREENPLAY
BY
JAMES CAMERON
August 2, 1988
Directors Revision
THE ABYSS
OMITTED 1
OMITTED 2
TITLE: THE ABYSS -- ON BLACK, DISSOLVING TO COBALT BLUE
EXT. OCEAN/UNDERWATER -- DAY 3
Blue, deep and featureless, the twilight of five hundred feet down.
PROPELLER SOUND. Materializing out of the blue limbo is the enormous but
sleek form of an Ohio-class SSBN ballistic missile submar
DAVE
BY
GARY ROSS
FADE IN:
EXT. WASHINGTON D.C. - AERIAL SHOT - DAY
It sits like a jewel off in the distance -- all glittering
and white. The deep blue of the Potomac stands out against
the monuments as the sound of a HELICOPTER plays O.s..
SMASH CUT
TO:
EXT. WHITE HOUSE GROUNDS - DAY
The most famous helicopter in the world lumbers toward the
most famous house. Scores of reporters are camped out