Absolute Beginners Script
I remember that hot, wonderful summer...
when the teenage miracle
reached full bloom...
and everyone in England stopped
what they were doing...
to stare at what had happened.
The Soho nights were cool in the heat...
with light and music in the streets.
And we couldnt believe
that this was really coming to us at last.
Nobody knew exactly why.
But after so many dreary year
We are moving through a small airfield full of parked light planes. There are no people around. We move through the cluster of planes towards a hangar on the edge of the field.
INT. HANGAR - DAY
We are still moving through light planes, but now we are inside the hangar. Some of the planes have their engine covers open, parts strewn around. Others are partially covered with tarps or have sections
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My Son The Fantatic Script
Madelaine was a delightful girl.
She still is, of course.
And a little bit plumpish at times.
- [Man] As you said, twice. - [Woman] Rice is very good.
- For reducing diet. - Cricket is excellent.
Farid was captain.
Mrs. Fingerhut... Hilda...
This boy of ours, I can assure you,
hes all-round type, going whole hog, but not
COPYCAT
Third draft by
Frank Pierson
Participating writers:
Ann Biderman
Jay Presson Allen
INT. LECTURE HALL BERKELEY - DAY
The hall is full. On the stage, DR. HELEN HUDSON is
speaking. HELEN is a forensic psychologist. Behind her is
a projected diagram: PREDISPOSITION, DISSOCIATION, TRAUMA,
FANTASY, VIOLENT FANTASY, FACILITATORS, MURDER, and
TRAUMA-REINFORCEMENT which she can point to with a las
The camera is moving toward an Indian city. We are high and far away, only the sound of the wind as we grow nearer and nearer, and through the passing clouds these words appear:
No mans life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the
Maximum Risk Script
- Move! Move it!
- Lets go!
Jesus Christ!
Loomis!
I need you to come with me.
Just a minute.
Its Sophie.
Sophie thinks I have a mistress.
Youre worried about that?
If you lived with Sophie,
youd understand.
Sometimes I yearn for our bachelor days
in the army.
We were happy there, no?
Well, I was happy! But you--
I wonder if youve ever been happy.
No. Its not Sophie
that worrie
ALIEN NATION
??
Original Screenplay by Rockne S. OBannon
Rewrite by James Cameron
??
October 1987
FADE IN:
EXT. MOJAVE DESERT - DAY (TELEVISION IMAGE)
A LONG LENS SHOT of a far distant metallic object hovering
just above the ground -- maybe two or three miles away.
The heat waves and the light refraction off the desert-
scape make the object undulate rhythmically, keeping its
true shape and appea
My Family Script
Whenever I see the bridges
that connect Los Angeles with East Los Angeles,
I remember my family.
I remember my father and my mother,
my brothers... Chucho, little Jimmy,
and Memo, the lawyer.
My crazy sisters... Toni and Irene.
But to write the story of my family,
I have to begin where millions of stories have begun...
in a small village in Mexico a long, long time ago.
Actually,
Moscow On The Hudson Script
Moscow on the Hudson
Excuse me, please, sir.
Does this bus go to the Lincoln Center?
- Lincoln Center?
- Yes.
Youre on the wrong bus.
Its okay, dont worry.
All you have to do is go to 57th Street,
change buses and get on the No. 30 bus.
Dont worry.
Ill let you know when its time.
Then you go and get a free transfer
from the driver.
- Thank you.
- No problem.
Its tough
THE TALENTED MR. RIPLEY
Screenplay By
ANTHONY MINGHELLA
Based On The Novel By
PATRICIA HIGHSMITH
1st November 1999
1958
PROLOGUE: INT. RIPLEYS CABIN. EVENING.
Fade up on Ripley, as in the final scene of the film,
sitting, desolate in a ships cabin. The camera rotates
around his face, which begins in light and ends in darkness.
RIPLEY (O/S)
If I could just go back. If I could rub
everything out. S