An old preserved movie theatre. The kind only found in a small town. Very picturesque. The marquee in front reads:
"SNEAK PREVIEW TONIGHT
STAB
Rated R"
A line has formed around the block, GUYS and GIRLS - mostly college age.
CLOSE on a girl, MAUREEN, no more than 18. A friendly face with innocent eyes. She stands in line with her boyfriend PHIL, same age. A handsome counterpart.
MAUREEN
I hat
---
Mr. Deeds Goes To Town Script
Corny, who do you think
youre talking to?
If the Semple attorneys dont know
who the heir is, who does?
Come on, Corny. Ive done you a lot of
favors. Whos getting the Semple dough?
Youre asking the wrong guy, Mac.
Im only a press agent.
- Newspaperman?
- Wants to know who the heir is.
- Hang up.
- Sorry, Mac, l cant--
- Yeah, sure, but I aint the attorney.
- Hang
He is a bespectacled man in his thirties, hale but somewhat bookish. He stands, tuxedoed, in the wings of a theater, looking out at the stage, listening intently to end of a performance.
In the shadows behind him an old stagehand leans against a flat, expressionlessly smoking a cigarette, one hand on a thick rope that hangs from the ceiling.
The voices of the performing actors echo in from the of
American Pie
by
Adam Herz
WHITE REVISION: 7/7/98
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
INT. JIMS BEDROOM - NIGHT
PAN across details in a bedroom...we see discarded
shirts...pants...socks...and hear
PORNO-CHANNEL CHICK (V.O.)
Oooh, yeah. Oh, baby, youre so good.
JIM (O.S.)
Yeah, Im the best, baby.
Now w
THE PIANO LESSON
Screenplay for a film by
JANE CAMPION
Producer
JAN CHAPMAN
Script editor
BILLY MACKINNON
Maori dialogue and translator
SELWYN MURU
(c) copyright:
Jan Chapman Productions Pty Ltd
2 Fairlight Street Leichhart 2040
NSW Australia
4th draft 1991
Developed with the assistance of
The Australian Film Commission
----------------------------------------------------------------
Sc 1 Sc 1
AD
NOTE: Aerial dialogue in caps is UHF radio; plane to plane, plane to carrier. Aerial dialogue in small case is ICS; an inter-cockpit system; a live mike, heard by pilot and RIO only.
EXT. NIGHT
THE PACIFIC IS ANYTHING BUT WINDS HOWL. Rain drives horizontal. The sea surges up, nearly to the flight deck of the Aircraft Carrier USS Kitty Hawk. The carrier plunges, driving its bow into a wall of gre
Great Falls
by
Adam Herz
WHITE REVISION: 7/7/98
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
INT. JIMS BEDROOM - NIGHT
PAN across details in a bedroom...we see discarded
shirts...pants...socks...and hear
PORNO-CHANNEL CHICK (V.O.)
Oooh, yeah. Oh, baby, youre so good.
JIM (O.S.)
Yeah, Im the best, baby.
Now we
Mephisto Script
lll give my heart just to one man
The greatest love since time began
Hell come my way and hell be strong
And he will sing me loves sweet song
- What happened Mr. H gen?
- What do you want?
l dont need you now!
Go to hell!
Were invited to a boring banquet.
Sorry, but we have to leave now.
Cant you sit with us, Dora?
No, wer e much too late.
Sorry, good evening.
l wanted to say you
Broadcast News
by
James L. Brooks.
FADE IN
EXT. CITY STREET - DAY
A restaurant supply truck is curbside, near a small
restaurant. GERALD GRUNICK, forty-one, is closing the back
door of his truck, feeling good about the world, a common
state for him. He moves towards the cab of the truck and gets
inside as we SUPER:
KANSAS CITY, MO. - 1963
INT. TRUCK - DAY
As he sits down beaming over his recen
The Living Daylights Script
Gentlemen,
this may only be an exercise so far as
the Ministry of Defence is concerned,
but for me it is a matter of pride that the
-Section has been chosen for this test.
Your objective is to penetrate
the radar installations of Gibraltar.
The SAS have been placed
on full alert to intercept you,
but I know you wont let me down.
Good luck, men.
Oh, blast!
Damn!
Thats i