1492: CONQUEST OF PARADISE
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by
Roselyne Bosch
REVISED
September 23, 1991
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FADE IN:
CREDITS AND MUSIC OVER:
INT. AUDIENCE ROOM - GRANADA - DAY
We start on a mans elegant slipper. He is seated in a
splendid chair. Moving up the stocking leg, we pass the
garter of Castile, coming to rest on a pair of delicate
hands. His fore finger impatiently plays with a large
topaz ring. Over this, we hear
ropes for a
rifle on the ground.
5G A Centurion overruns a human firing position. Soldiers are cut down
as they 5G run. Fiery explosions light the ranks of advancing
machines.
6 IN A BLASTED GUN EMPLACEMENT at the edge of battle, a man watches
6 the combat with night vision binoculars. He wears the uniform of
a guerrilla general, and a black beret. He is still amid running,
shouting techs and off
Shawshank Redemption, The
- By Frank Darabont.
1 INT -- CABIN -- NIGHT (1946)
A dark, empty room.
The door bursts open. A MAN and WOMAN enter, drunk and
giggling, horny as hell. No sooner is the door shut than
theyre all over each other, ripping at clothes, pawing at
flesh, mouths locked together.
He gropes for a lamp, tries to turn it on, knocks it over
instead. Hell with it. Hes got mor
I KNOW WHAT YOU DID LAST SUMMER
Cast :
Julie James : Jennifer Love Hewitt
Helen Shivers : Sarah Michelle Gellar
Barry Cox : Ryan Phillippe
Ray Bronson : Freddie Prinze Jr.
Missy Egan : Anne Heche
Ben Willis : Muse Watson
Elsa Shivers : Bridgette Wilson
Max : Johnny Galecki
Written By : Kevin Williamson
Directed By : Jim Gillespie
Transcribed By : Ryan Smith (1998)
EXT. - Camera pan over the ocean
This is Ash, mid twenties, square jaw firmly set and a pair of haunted eyes which dart about quickly in fear. Ash speaks to the CAMERA with urgency:
ASH
Why would you say that I am insane? I wouldnt say that Ive lost my mind simply because Ive heard the voices and seen the godless things moving in the woods. If anything, I think more clearly now than ever before. I know now that there is such a t
ropean looking, with curtains in the windows, parks in the parking lot. Twenty or so men get out with sports bags, hockey sticks, helmets. They enter the ice rink guided by two production assistants who greet them and show them the way, walkie-talkies held to their ears.
A small convertible enters the parking lot, carrying the director and his assistant.
The car stops. The director and his assist
Predator
Written by
Jim Thomas and John Thomas
FADE IN
1 EXT. OUTER SPACE 1
The infinite blackness punctuated by a billion stars.
As we slowly DESCEND through the varied shades of blue
of the Earths atmosphere, we HEAR the first strains of
a haunting, Central American FLUTE, joined by a swelling
background of JUNGLE SOUNDS. We descend further,
through a lush JUNGLE CANOPY, backlit by a setting su
Mulan II Script
Oh, saviour of China,
you have ennobled the House of Fa.
In gratitude, we honour you.
O, veneration to you,
O, mighty...
Say it, say my name.
Mushu.
Thats what Im talking about.
How you doing up there, man?
Thanks for the intro.
And now, I think Id like to visit
my beloved pedestal.
Lets get it over with.
Ceremonial robe of honour.
If Mulan could see me now.
Mulan saves China one
On a second note, Id just like to add that the blocking written here is of my own observations, everything else is the work of MICHAEL CRICHTON and ANNE-MARIE MARTIN. There are also references to music from the soundtrack, i.e. (Music starts "Virtual Reality")So, without further ado, I give you TWISTER!!!!
"TWISTER"
{Screen fades in to an eerie fog, gray clouds swirling across. Haunting music. W
THE BRIDGES OF MADISON COUNTY
Our story begins in 1965, on a hot afternoon in August.
FADE IN
EXT. IOWA LANDSCAPE - DAY
Rolling green hills, lush farmland, vast open space. Not a
house or sign of life in sight. On a long dusty road, a TRUCK
is driving across the screen. Clouds of dirt follow in its
tracks -- its motor, the only sound we hear.
INT. TRUCK - DAY
FRANCESCA JOHNSON is sitting in t