Mad Max Script
This is a routine pursuit.
Main Force repeats,
this is a routine pursuit. Code 44.
Listen, you tell them we need help.
This should be an open-code blitz
and you know it.
You have your information.
Come on, sweetheart,
this ones a heavyweight!
Main Force repeats,
you have your information.
This is a routine pursuit.
Please liaise with Big Bopper.
Jesus, March Hare to Big Bopper.
Ass
cut off by - A SILENCED GUN SHOT: Thwpfft...
FADE IN ON:
INT. A MEDIEVAL CATHEDRAL - NIGHT
Its dark, and so it takes us a minute to realize were
MOVING UP STONE SPIRALING STAIRS, up up up in what we now see
is a medieval cathedral. And as we continue MOVING UP
something TRICKLES DOWN INTO FRAME - BLOOD. Running thin,
then thicker, as we CONTINUE TO MOVE UP the stairs and find -
A BODY, sprawled a
The X-Files "Fight The Future"
??
(The classic fanfare from Alfred Newman plays as the 20th CENTURY FOX
logo is shown all over the the big screen. Fade to black - Silence.
(DW NOTE: Enough time to Take your greatest fear and multiply it by X:)
NOW, Mark Snows thrilling new movie-version of The X-Files theme song
begins to play. Seas of blackoil fill the screen then text in white letters runs in.
CUT TO:
CLOSE ON ANNIE REED
Pretty, blonde, animated. Jeans, a T-shirt, a Baltimore
Orioles hat.
ANNIE
Why? I just want to know why?
Thats my first rule. I always
ask why. Come on. Tell me.
Cmon, cmon, cmon --
And pull back to reveal:
EXT. CHICAGO ALLEY - DAY
Annie is talking to her boyfriend, a good-looking guy
named SETH. Theyre carrying packing boxes into the
house they share in the Old
THELMA & LOUISE
??
by
Callie Khouri
FADE IN:
INT. RESTAURANT - MORNING (PRESENT DAY)
LOUISE is a waitress in a coffee shop. She is in her
early-thirties, but too old to be doing this. She is very
pretty and meticulously groomed, even at the end of her
shift. She is slamming dirty coffee cups from the counter
into a bus tray underneath the counter. It is making a
lot of RACKET, which she is oblivi
CUT TO:
EXT. ANNIES HOUSE -- DUSK
A frame house with porch and lots of trees--a Thomas Wolfe
house...with a 1959 faded red Volvo in the driveway.
ANNIE LEAVES ON FOOT, turning onto the sidewalk of a bucolic,
old Durham, North Carolina neighborhood. In the b.g. other
people are heading the same direction ANNIE PULLS A DURHAM
BULLS BASEBALL CAP from her handbag and pulls it on her head.
ANNIE
Ive t
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One From The Heart Script
[Roulette Ball Rolling]
[Roulette Ball
Drops In Slot, Clinks]
I wish I had a dollar for
Each time I took a chance
On all those two-bit Romeos
Who counterfeit romance
Somehow always thinking of
The last time I fell down
Knowing that youll fall in love
Once upon
A
Town
[Wind Whistling]
[Jazz. Distan
cut the cake.
- Ill do anything for a woman with a knife.
- Thank you. Could you help me?
- Sorry.
- No, were finished. Pam, meet James.
Goodbye, Felix.
- Strictly business, my friend.
- Switch that thing off, Felix.
- You have a house full of guests waiting.
- Just let me save this. Take a seat.
The department wants a full report...
yesterday. We really hit it lucky today.
Sanchez hasnt been out
cut down
as they 5G run. Fiery explosions light the ranks of advancing
machines.
6 IN A BLASTED GUN EMPLACEMENT at the edge of battle, a man watches
6 the combat with night vision binoculars. He wears the uniform of
a guerrilla general, and a black beret. He is still amid running,
shouting techs and officers.
C.U. MAN, pushing slowly in as the battle rages O.S. He lowers the
binoculars. He is for
I KNOW WHAT YOU DID LAST SUMMER
Cast :
Julie James : Jennifer Love Hewitt
Helen Shivers : Sarah Michelle Gellar
Barry Cox : Ryan Phillippe
Ray Bronson : Freddie Prinze Jr.
Missy Egan : Anne Heche
Ben Willis : Muse Watson
Elsa Shivers : Bridgette Wilson
Max : Johnny Galecki
Written By : Kevin Williamson
Directed By : Jim Gillespie
Transcribed By : Ryan Smith (1998)
EXT. - Camera pan over the ocean