Northfork Script
Always late
With your kisses
Wont you come to my arms,
sweet darlin
And stay?
Always late
With your kisses
Why, oh, why do you
want to do me this way?
How long do you think
I can wait
When you know
youre always late
Always late
With your kisses
Why, why, why do you want
to do me this way?
That was Lefty Frizzells
"Always Late with Your Kisses."
Before that,
we heard Buck Owens.
G
Lone Star State Of Mind Script
You got them disguises
I told you to bring?
I got them.
Wha wrong? Oh, yeah.
I couldnt remember if you said to get
panties or panty-liners. I brought both.
I said pantyhose. Not panties.
Not no panty-liners.
Pantyhose, you numb-nuts!
I coule swore you said
panties or panty-liners.
Why would I say that?
How we gonna rob somebody
with panties and maxi pads?
Tha what I
Cell
FADE IN:
A SPECK OF DUST
Grains of sand dance in the wind. As we glide over a VAST
DESERT, the speck of dust becomes a HORSE AND RIDER.
CATHERINE YOUNG straddles the beautiful black animal, her
mesmerizing eyes scanning the horizon. A curious breeze
blows across her exquisite face and she drinks it in, as if
the wind itself were telling something to her...
Catherine sees a FLICKERING LIGHT
Mystery Men Script
WouId you like something sweet?
What do we got here, felias,
an antique show?
Boys, spread out!
What a wrinkIe-fest this is!
Beat it, you broads!
Come on!
Ali right, sit down and shut up!
Were the Red Eyes,
so everybody freeze!
Get their vaIuabIes, boys.
I want watches, waliets, jeweliery.
Get me some sliver chains.
I want wigs, toupees!
Keep an eye out for me, wliI ya?
li
No,
THE WILLIAM MUNNY KILLINGS
INT. ALICES ROOM - NIGHT
NIGHT IN ALICES ROOM. A little bit of moonlight coming in
through the tiny window might make a highlight here and
there but thats about all. Words begin to crawl across the
screen:
WRITTEN WORDS (crawl)
Of good family, albeit one of
modest means, she was a comely
young woman and not without
prospects. Therefore it was at
once heartbreaking and a
A womans face BACKS INTO SHOT, her head resting against grimy wallpaper. She is tense, sweaty, wide-eyed with concentration. This is CLARICE STARLING - mid-20s, trim, very pretty. She wears Kevlar body armor over a navy windbreaker, khaki pants. Her thick hair is piled under a navy baseball cap. A revolver, clutched in her right hand, hovers by her ear. She raises a speedloader, in her left hand,
Slow motion. Armed troops in black uniforms pour out of unmarked vans and swarm across a lawn in a middle class residential neighborhood. Yuppie neighbours look on in shock, confused. Two of the troops carry a battering ram to the front door of a white two-storey house. A leashed Rottweiler snarls and barks. In position, their comrades point M-16s into first-floor windows, ready to be ambushed. P
JFK
FADE IN:
Credits run in counterpoint through a 7 to 10 minute sequence of
documentary images setting the tone of John F. Kennedys Presidency and
the atmosphere of those tense times, 1960 through 1963. An omniscient
narrators voice marches us through in old time Pathe newsreel fashion.
VOICE
January, 1961 - President Dwight D. Eisenhowers
Farewell Address to the Nation -
EISENHOWER ADDRES
Killshot Script
You gotta know what youre
doing when you go in.
You gotta have it figured out.
Those are the rules.
How you get in, how you get out.
How many shots you gonna need.
Make sure you know where everybody is.
Make sure nobody sees you.
Dont hang around. Dont get interested.
Then you dont make mistakes.
Yeah...
Id just like to go to Detroit and
see a man in the hotel Friday morning.
I do
The Witching Hour
Screenplay by ANNE RICE
??
??
FADE IN:
EXT. A SCOTTISH MOOR - NIGHT - 1670 A.D.
Far off, a massive stone castle looms. Trees silhouetted an
the horizon against the star-dotted, qreen-purple sky. The branches of one tree seem to reach
for the stars...
TRACKING IN - the tree is A HOODED FIGURE: SUZANNE - 20, golden hair spilling from her hood,
dazzling green eyes. Nestled in the f