THE MESSENGER: THE STORY OF JOAN OF ARC
by
Andrew Birkin
and
Luc Besson
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FADE IN:
EXT. CHURCH - DOMREMY - DAY
FADE UP on ripples on the surface of a puddle. Slow PAN
UP: the water becomes placid, and in it we see the
reflection of an inverted CROSS on the top of a small
church. We move across the little churchyard and in
through the open doors.
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INT. CHURCH - DOMREMY - DAY
Utter simplicity --
Krypton, is empty for the moment. But the signs of its members are ever-present: around the great floating slab that is their conference table each has his (or her) own console of crystals - a transparent container marked with the identifying insignia, c.f. the symbols on each of their robes in Part I.
As Non and Ursa follow two paces behind. Zod strides along the slab, ignoring console after con
The camera is moving toward an Indian city. We are high and far away, only the sound of the wind as we grow nearer and nearer, and through the passing clouds these words appear:
No mans life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the
HOT ZONE
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Screen story & screenplay by
Jim V. Hart
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Based on "Crisis in the Hot Zone"
by Richard Preston
"You might call AIDS the revenge of
the rain forest..."
Richard Preston
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??
"These diseases are true emergers.
Humans have truly stumbled into
these occult agents."
Dr. Karl Johnson
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"Weve got company!"
Han Solo
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BLACKSCREEN:
LEGEND: IN 1976, OUTBREAKS OF LETHAL HEMORR
SUPERMAN LIVES
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Written by
Kevin Smith
??
??
EXT. SPACE
An Alien craft floats through the void, approaching a slow-moving
ASTEROID.
INT. ALIEN CRAFT
Two humanoid ALIENS dressed in uniforms pilot their craft nearer
to the asteroid.
ALIEN #1
Receiving a signal from an alien system,
but theres interference on the channels.
ALIEN #2
Once we get past this asteroid, it should
clear up.
Suddenly, THRO
League Of Extraordinary Gentlemen Script
Moorgate Passage.
Moorgate Passage.
I see it over there!
Bleeding rat-wags!
Whats gotten into them?
What in Gods name is that?
Halt!
Halt!
- Blimey!
- Stop!
- Come on!
- Halt!
In the name of the law!
- Halt!
- How the hell do we stop this thing?
I said, halt!
Here.
Careful, mates. Careful.
Theres men inside!
Please.
Bring the scientist with us.
Kill any wh
GLADIATOR
by
David Franzoni
FIRST DRAFT REVISED
April 4, 1998
FADE IN:
EXT. NEAR THE GERMAN FRONT - 180 A.D. - DAWN
The rising sun unveils steep hills and luxuriant mountains
untouched by man. Snow flurries dart in the frigid air
and on the horizon CROWS gather.
EXT. DIRT ROAD
A column of Praetorian Cavalry flank two enclosed wagons
as they rattle along a rock and log accordion road. On
all sides
THREE KINGS
a screenplay by
David O. Russell
Story by
John Ridley and David O. Russell
Draft Date: 6/22/98
FADE IN:
EXT. IRAQI DESERT - DAY
WIDE ANGLE POV of wide open desert, flat grey sky.
THE CAMERA is running forward, toward a big sand berm in the
distance. There are O.S. sounds: SOLDIERS EQUIPMENT
CLANKING, BOOTS RUNNING ON SAND. Hear a MANs BREATHING.
The back of his helmeted head and his u
Three of these creatures are men: the fourth is a woman. She is tall and has a magnificent body which is shown to its best advantage in a Krypton outfit that reveals more than it conceals: high boots, a clinging body suit, and all shiny black. Long raven hair frames a strikingly beautiful face; her eyes are almost fiery in their grace. A woman whose beauty makes strong men weak, she is consumed b
It is very early in the dawn -blue light filters through the jungle and across a foul swamp. A mist clings to the trees. This could be the jungle of a million years ago.
Our VIEW MOVES CLOSER, through the mist, TILTING DOWN to the tepid water. A small bubble rises to the surface; then another. Suddenly, but quietly, a form begins to emerge; a helmet. Water and mud pour off revealing a set of bead