ritual.
She gives him a withering glance. He answers with a charming
smile.
PATRICK
I missed you.
MISS PERKY
It says here you exposed yourself to a
group of freshmen girls.
PATRICK
It was a bratwurst. I was eating
lunch.
MISS PERKY
With the teeth of your zipper?
She motions for Patrick to enter her office and Cameron
shuffles out the door, bumping into MICHAEL ECKMAN, a lanky,
brainy senior
dance, we dont eat. Simple as that.
The mass begins to move.
CHEEBA (CONTD)
Thats right. We slow. We blow.
We snooze. We lose.
INT. CNS TOWER - MORNING
MANRAY, a young African-American dread-lock male, and Cheeba
are getting set up in front of the entrance to the
CONTINENTAL NETWORK SYSTEM building. CNS is one of the
fledgling, upstart new networks, trying to battle with ABC,
NBC, CBS, FOX, WB, a
Keeping Up With The Steins Script
( war drums)
(man on TV) The ceremonial passage
into manhood involves risk for the warrior.
If he triumphs over his prey,
he will be accepted as an adult.
If he fails, it will cost him
his future status in the tribe,
and possibly his life.
I wish it was that easy in my tribe.
See, Im Jewish,
and our ritual is called a bar mitzvah.
We have to get up
in front of pe
Cell
FADE IN:
A SPECK OF DUST
Grains of sand dance in the wind. As we glide over a VAST
DESERT, the speck of dust becomes a HORSE AND RIDER.
CATHERINE YOUNG straddles the beautiful black animal, her
mesmerizing eyes scanning the horizon. A curious breeze
blows across her exquisite face and she drinks it in, as if
the wind itself were telling something to her...
Catherine sees a FLICKERING LIGHT
첫째, 주권성(sovereignty)은 제왕적인 전통에 기인하는 것, 둘째, 현재의 핵 시대에 파괴적인 이미지를 가져다 줌, 셋째, 생태학적인 측면에서의 부적절성, 넷째, 여성들의 신앙형성의 장애 등이다. 이에대한 대안으로 ‘춤을 추시는 삼위일체 하나님’(dance of trinity) 이해를 제시하고 있다. Ibid., pp. 65-86.
DANCE - in and out of darkness. A hooded light-bulb
swings IN SLOW MOTION from the ceiling, its dim light REVEALS:
A GLASS SYRINGE - broken on the floor.
Clothes on a chair...
Puddles of water on the floor...
ANGLE ON SLEEPING EYES - Between waves of light they snap open and
dart about in confusion.
ON JONATHAN WALKER as he sits up. Water splashes. Hes in a tub
of long-cold water. His neck aches
Dancing At The Blue Iguana Script
Woman:
Yes, Ill hold.
Uncle Neil?
Hi, its Jessica.
How are you?
Really?
Yeah, Im in Hollywood.
So what have you been doing
for the past five years?
Yeah?
I miss you.
A lot.
When can I come
and visit you?
Can you come
and visit me?
Id love it
if you came and visited me.
I dont care about that.
It doesnt matter anymore.
I just want to see you.
Okay, Ill try.
Are yo
he was young.
- Really? - Yes.
We girls were enraged when we heard he married that dancer.
- You mean my mother? - Oh... of course.
- Is she still living? - Yes.
- But she ill now. - How sad.
And what a tragedy your father died so young.
The Count de Saxe. So dashing.
Those idiots!
Excuse me.
Not yet!
(Baroness mutters angrily)
(soulful piano passage)
Madame Sand! Is it true that youe writing
dance down the street with
a cloud at your feet, youre in love*
*When you walk in a dream but you
know youre not dreamin, signore*
*scusa me, but you see, back
in old Napoli, thats amore*
*Bells will ring ting-a-ling-a-lingting-a-ling-a-ling
And youll sing "Vita bella"*
*Hearts will play tippi-tippi-tay,
tippi-tippi-tay, like a gay tarantella*
*When the stars make you drool just
like pasta fazool
dance twenties.
EXT. GREAT HALL, COUNTRY ESTATE - MORNING
Parrish, groomed for the day, trots down the stairs, observ-
ing the activity outside through the windows. He checks his
watch, strides down the hall, encounters MAY, 50, a family
retainer who is opening the doors to the terrace as Parrish
passes.
PARRISH
What do you think of all this, May?
MAY
Its going to be beautiful. And
Miss Allison s