We are moving through a small airfield full of parked light planes. There are no people around. We move through the cluster of planes towards a hangar on the edge of the field.
INT. HANGAR - DAY
We are still moving through light planes, but now we are inside the hangar. Some of the planes have their engine covers open, parts strewn around. Others are partially covered with tarps or have sections
BLACK RAIN
by Craig Bolotin & Warren Lewis
??
A BLACK SCREEN:
Various voices: "Big six"... "Thats six the hard way"...
"Seven or eleven"... "Play two"...
FADE IN:
EXT. UPPER EAST SIDE - NEW YORK CITY - NIGHT
One of the pristine blocks of brownstones where even the
garbage seems gift wrapped. The VOICES continue over as
we move in on a particular building where a DOORMAN is
holding open the door f
Under gloomy sky a huge fortress looms on a volcanic mountainside. From within WE HEAR the agonizing scream of a woman giving birth.
INT. NOCKMAAR CASTLE - DAY
The scream continues as WE MOVE THROUGH the grim corridors of the castle TOWARD stairs leading down to a dungeon.
INT. DUNGEON - DAY
Silhouetted in sadows, three Nockmaar MINIONS stand guard. In a jail cell, sex fully pregnant WOMEN watch
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e
Note: Hows this for a change from the finished product?!? ... and NO mention of the powerful Opening Vistas! This is how the script begins ...
[FADE IN]
The screen is a microcosm of leaf, crystal drops of precipitation, a stone, emerald green moss. Its a landscape in miniature. We HEAR the forest. Some distant birds. Their sound seems to reverberate as if in a cavern. A piece of sunlight refracts
Trucks are parked on the parking lot of an ice rink. Flemish technicians, grips and electricians, talk together while unloading the equipment, lamps, cables, tracks. They spread it out on the parking lot, take some lamps into the rink. The four technicians all wear the same black T-shirt with an inscription in Dutch.
A few cars arrive, belonging to the film crew (cinematographer, sound engineer).
FREDDYS DEAD - THE FINAL NIGHTMARE
FADE IN:
INT. DC-10 AIRLINER - NIGHT
JACOB JOHNSON is sleeping. It doesnt look like a pleasant
experience. He is sixteen, dirty blonde, his eyes visibly
moving under closed lids as he sits huddle under a blanket in
his window seat. The lights are dim -- the shade on the
window closed -- a bead of sweat dribbles down his forehead.
The HUMMING of the jets eng
Jimmy Hollywood Script
Ready.
Gloria Swanson.
Maurice Chevalier.
Ralph Bellamy.
Lon Chaney.
Phillips Lord.
One of my favorites,
Humphrey Bogart.
Heres an actress, Snow White.
Ann Miller.
Jean Harlow.
Blank.
Rex Harrison.
Burgess Meredith.
Ray Bolger.
Blank. Steve McQueen.
Danny Kaye.
Sarah Vaughan.
Jimmy Stewart.
Victor Mature.
Edward G. Robinson.
Blank.
Dinah Shore.
Adolphe Menjou.
Erich von Str
TRACKING DOWN the line of empty, open capsules. Frozen twilight. The final four capsules are sealed, lids in place.
ANGLE - INSIDE CAPSULE
NEWT, then RIPLEY. HICKS next, his head and chest bandaged. Then BISHOP in his caul of plastic. But the lid of Bishops capsule is misted with hothouse condensation.
CLOSER
A tear of fluid streaks the condensation.
An alarm SOUNDS.
A monitor begins to scroll da
Tomorrow Never Dies
Screenplay
by
Bruce Feirstein
(for educational purposes only)
FADE IN ON:
EXT. DESOLATE MOUNTAIN RANGE - HIGH ANGLE - DAWN
Super: THE KHYBER PASS, AFGHANISTAN
Were looking down at what used to be called "The End of the Known
World." A landscape that is both beautiful, and forbidding.
In the center of this vista, there is a deep ravine.
Pushing in on the ravine, there appears t