The Cable Guy
by Judd Apatow
Based on a Screenplay by
Lou Holtz Jr.
Shooting Script October 31, 1995 (White)
Revised Pages November 13, 1995 (Blue)
Revised Pages November 14, 1995 (Pink)
1 FULL FRAME - WHITENOISE
Credits begin. The entire frame is filled with whitenoise within which one can make out thefaint
image of a television program. Every few moments the channel changes, revealing a new
exciting.
I dont know what Im gonna do when I meet her.
She thinks Im twenty-two years old, and Im not.
Im not a painter, although Id like to paint.
So, it could be anything.
I mean, the imagination could take you anywhere.
I find that really, really exciting.
And its one of those places where I can lie.
LINDA: Im happy with meeting men on the computer...
on the internet, in the chat rooms.
And,
white.
He left before she was born.
Seems to me, Miss Meredith,
Im just right for you.
You wouldnt have to pay
no wages. Just let me come
and do for you.
I couldnt do that.
Id have to pay you,
and I... cant now.
Susie!
I ought to knock
your blocks off.
Ill take care of it,
mister. Ill wham
the hides off both of them.
Susie! What are
you doing?
About time you showed up!
If your husband cant keep
t
THE BIG BLUE
by
Luc Besson
Bob Garland
Marylin Golden
"God is at the bottom of the sea and
I dive to find him."
Enzo Maiorca
??
FADE IN:
EXT. GREEK ISLAND - SUNSET
CREDIT SEQUENCE:
The image is in black and white.
The sun disappears behind arid cliffs which cast giant
shadows on the sea.
A little boy around 8 years old -- tanned from head to toe
-- sprints along the cliffs, scrambles from one roc
House on Haunted Hill
By
Dick Beebe
Story by
Dick Beebe & William Malone
Adapted from the screenplay by
Robb White
Blue Revisions: 13 Jan 1999
Production Draft: 2 December 1998
NOTE: THE HARD COPY OF THIS SCRIPTS CONTAINED SCENE NUMBERS.
THEY HAVE BEEN REMOVED FOR THIS SOFT COPY.
FADE IN:
BLACK SCREEN
And in the darkness, a TICKING sound is heard. Soft and
steady -- soothing -- and then a BANG!
S
exciting.
- Yeah. Oh, God. Matthews so excited.
- Meyers, I gotta talk to you.
- Hey, Stein. Chuck, did you get my e-mail?
- Yeah. Uh, "deep-seeded". Who knew?
- Right.
It has nothing to do with seeds.
Refers to how deeply something is set.
- Sorry about that, Josh.
- Oh, shit!
- No problem. Dont worry about it.
- What is this?
- What did you do to this?
- What is what?
This profile. You gutted i
excites me.
Mr. Bolt, you have
a surprise visitor.
-Who is it?
-Vance Crasswell, sir.
Crasswell? damn it!
Thank you. Lets go.
Excuse me.
Am l interrupting?
lm interrupting.
lm interrupting.
l should leave. Should l leave?
lm gonna leave.
Can l come in?
Hello, Vance.
You know my attorneys--
Pritchard, Knowles, Stevens.
The three wise men.
Hiya, fellas. Whats going on?
Oh, my God!
Oh, my God! Someo
noise, know what happens?
And off that horrible voice, we
??
CUT TO:
??
INT. GEORGIA PINES NURSING HOME - MORNING(PRESENT DAY)
??
A CLOCK RADIO spews the morning weather report, abruptly
pulling us into the present with a prediction of rain. PAUL
EDGECOMB, late 70s/early 80s, wakes to another day...
??
INT. PAULS ROOM - MORNING
??
Paul stands at his bathroom mirror, meticulously buttoning
his shi
white timber wolf, fifty yards away.
??
??
BACK TO SCENE
??
??
Anne Marie stands beside Eric, a Nikon with a telephoto lens
in her hand, holding her breath in anticipation. Shes
twenty-three, pretty, with soft features and piercing blue
eyes. She wears Eddie Bauer womans gear like she was born
in it.
??
??
Eric expertly fixes his aim and slowly squeezes the trigger.
But instead of a loud retort,
exciting now.
JACK (V.O.)
That old saying, how you always hurt
the one you love, well, it works both
way.
Jack turns so that he can see down -- 31 STORIES.
JACK (V.O.)
We have front row seats for this
Theater of Mass Destruction. The
Demolitions Committee of Project
Mayhem wrapped the foundation columns
of ten buildings with blasting
gelatin. In two minutes, primary
charges will blow base charges