NIGHT
PRISON P.A. SYSTEM
--number 5429, Garcia -- number 87645, Cole...
COLE, late thirties, dark hair, comes awake in a bunk cage, one
of many stacked four high along both sides of a long dim
corridor. He blinks in the near dark, shaken, disoriented.
Then, as he "recovers" from his very vivid dream, WE GET OUR
FIRST LOOK AT HIS ENVIRONMENT...A WINDOWLESS UNDERGROUND WORLD OF
ETERNAL NIGHT SOMETI
night
Hulla wacka, moolah wacka
Sailor man beware
When de money in de ground
Deres murder in de air
Murder in the air
One more time now.
Shiver my timbers
Shiver my bones
Yo ho, heave ho
There are secrets that sleep
with old Davy Jones
Yo ho, heave ho
When the mainsails set
and the anchors weighed
Theres no turning back
from any course thats laid
And when greed and villainy
sail the sea
You can b
night!
KYLE
In movies we can pretend
That love is real
and good always wins-
STAN
We can even make believe marriages
last!
A HOMELESS guy is lying in the alley.
HOMELESS GUY
Spare a dollar? Spare a dollar?
Stan walks by and throws a dollar at him. The homeless guy
suddenly jumps up.
HOMELESS GUY
Im going to the movies!
To see the brighter side of life!
Im going to the movies
Everythings gonna be
RELIC
a screenplay by Amy Holden Jones
based on the book by Douglas Preston and Lincoln Child
March 16, 1995
TITLE CARD... BELEM BRAZIL - JULY...
EXT. BELEM STREETS - NIGHT
A taxi careens down narrow roadways at breakneck speeds.
INT. TAXI - NIGHT
In the back seat is WHITTLESLEY. Early 40s, the wreck of a once
handsome man. Unshaven. Sweat stained. Rail thin. Scratches on his
arms, a fresh scar
We hear voices: one male, the other female. From the tone of their speech and the accompanying music, we can tell we are entering a romantic scene.
FADE IN:
INT. FANCY NEW YORK APARTMENT - DINING ROOM - NIGHT
Where we see a romantic scene played out between a man and a woman. Both are white. The couple have just finished a candlelit dinner.
BRAD
You like your wine? Want smore?
She nods her approv
NIGHT
모
We come to rest on an ancient, vaguely wolf-like GARGOYLE high atop a gothic cathedral in the Latin Quarter- a maze of narrow, twisting streets- desolate at this late hour. Clouds move over the moon. End TITLES. The song fades. A THUNDER CRACK. Rain d rops spatter on the churchs metal roof. Water trickles out of the gargoyles mouth. We follow the STREAM OF WATER down to street level whe
dollars...
Not bad.
FADE IN
ATLANTA, GEORGIA - 1968
INT. SUBURBAN HOME - NIGHT
JANE CRAIG, ten years old, is in her room typing. Above the
desk where she works is a bulletin board with letters and
pictures tacked to each one. Her desk has several file racks
which contain bulging but neat stacks of air mail envelopes --
a roll of stamps in a dispenser is to one side. Jane types
very well in the
1. Geographic Characteristics
- Country' name : The Socialist Republic of Vietnam
- Capital : Ha Noi
- Total area : 329,566 Km2
- Climate : subtropical(Northern), tropical(Southern)
- resources : phosphate, coal, manganese, bauxite, chromate, offshore oil resources, forest
- Environment : From May to January, there are season typhoons that occur deluge.
2. Health Status
1) Facilit
night
As I gaze from my window
At the moon in its flight
My thoughts all stray to you
You wrote that about Linda, of course.
Did l?
Songs dont have to be about
someone, you know.
We should start.
l thought we had.
Cole, you have to play us into it.
lts your life. Your music will be our guide.
Swell.
In the still of the night
As I gaze from my window
Oh, my God, thats me! lm so young.
You satisfie
ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we