The boy looks up, confused and frightened, concerned to see his mother crying in public. She looks at him tenderly.
Her brow furrows. She stops crying. She stares just above his eyes.
Somethings happening: she looks with wonder at the top of his head... his eyes roll upward, trying to see - its a crown!
He raises his hands. He touches it.
A beam of light illuminates the crown, casting its glow
BOOGIE NIGHTS
by
Paul Thomas Anderson
1 EXT. HOT TRAXX NIGHTCLUB - NIGHT
CAMERA holds on this PACKED disco on Van Nuys Blvd.
TITLE CARD: "San Fernando Valley, 1977"
A CADILLAC SEVILLE pulls up to the valet area and CAMERA (STEADICAM) moves
across the street, towards the car, landing close;
From the Seville steps, JACK HORNER (50s) and AMBER WAVES (early 30s).
CAMERA follows them (this is one cont
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h
NOTE: Aerial dialogue in caps is UHF radio; plane to plane, plane to carrier. Aerial dialogue in small case is ICS; an inter-cockpit system; a live mike, heard by pilot and RIO only.
EXT. NIGHT
THE PACIFIC IS ANYTHING BUT WINDS HOWL. Rain drives horizontal. The sea surges up, nearly to the flight deck of the Aircraft Carrier USS Kitty Hawk. The carrier plunges, driving its bow into a wall of gre
Rolls into FRAME. A bauble of green and blue and white swirls of cloud cover. The eerie clip and whistle of cosmic rays is drowned out by static and someone singing 몵MY WAY몶 - in Russian.
2 MOVING INTO FRAME - A SOVIET CAPSULE
Gleaming white. Black letters on its side, CCCP. A Russian COSMONAUGHT in his space suit is outside, repairing radio antenna. He몶s the one singing.
3 INSIDE THE CAPSU
The credits have that depressing, shitty, this is going to be one of those lousy black and white movies from the 1950s look. This is going to be one of those cheap teen sci-fi movies about a creature
MUSIC. When the female stars name appears, Borodins theme, which will later become adapted into "Strangers In Paradise," plays. Then we return to the stormy part, which subsides as:
THE CREDITS END
T
Contact
??
FADE IN:
INT. ARROWAY HOUSE - EVENING
We open on the upstairs of a two-story house, where we see a young girl
talking into a radio transmitter.
YOUNG ELLIE
CQ, this is W9GFO. CQ, this is W9GFO here, come back. CQ, this is
W9GFO here, come back. CQ, CQ, this is W9GFO, is anybody out
there? (looks to her father) It not getting anything.
TED ARROWAY
Small moves Ellie, small moves.
YOUNG E
TITLE SCREEN
"A Movie" appears in a formal typeface while a bold fanfare plays in the
background, suddenly the characteristic red polygon logo appears and the
letters GOOFY fly on the screen, knocking the formal title askew and
accompanied by the trademark "Goofy" scream. The orchestra responds with a
soft, condescending chord.
EXT. WHEAT FIELD
The movie logo scrolls upward off the blue backgroun
Escape From L.A.
Screenplay by John Carpenter
Debra Hill
Kurt Russell
Produced by Debra Hill
Kurt Russell
Directed by John Carpenter
Cast List:
Kurt Russell Snake Plissken
Stacy Keach Malloy
Steve Buscemi Map to the Stars Eddie
Peter Fonda Pipeline
George Corraface Cuervo Jones
Valeria Golino Taslima
Pam Grier Hershe
Michael Forbes Brazen
Cliff Robertson President
A.J. Langer Utopia
Bruce Campbe
AVATAR
ALL RIGHTS RESERVED. COPYRIGHT ?2007 TWENTIETH CENTURY FOX FILM
CORPORATION. NO PORTION OF THIS SCRIPT MAY BE PERFORMEDPUBLISHED
REPRODUCEDSOLDOR DISTRIBUTED BY ANY MEANSOR QUOTED OR PUBLISHED IN
ANY MEDIUMINCLUDING ANY WEB SITEWITHOUT THE PRIOR WRITTEN CONSENT OF
TWENTIETH CENTURY FOX FILM CORPORATION.
?
THE SOUND OF DRUMSfrom a great distancegrowing louder.
FADE IN:
WE ARE FLYING through