PAN DOWN TO A ROW OF 몷TELLERS몶 CAGES몸 with long lines of PEOPLE waiting to collect their unemployment checks. A sign above the first window says 몷A - F몸, the second window is designated 몷G - L몸 and so on.
CLOSE ON THE SECOND WINDOW -- Waiting his turn at the head of the line is a BLACK MAN in his early 30몶s. He kills time by trying to make a beat-up old wooden yo-yo perform the ba
A womans face BACKS INTO SHOT, her head resting against grimy wallpaper. She is tense, sweaty, wide-eyed with concentration. This is CLARICE STARLING - mid-20s, trim, very pretty. She wears Kevlar body armor over a navy windbreaker, khaki pants. Her thick hair is piled under a navy baseball cap. A revolver, clutched in her right hand, hovers by her ear. She raises a speedloader, in her left hand,
DEVON (voice-over): Once upon a time in a far off land lived a girl and her mother and father. Their village was surrounded by a high wall. Outside the wall was the forest, home of Babi Yaga, the witch. Babi Yaga had iron teeth to cut through trees. His legs were chicken legs and he ate little girls for dinner. But inside the wall, the girl was safe.
SCENE TWO
TRENT is mowing the lawn and stops
Limbo Script
Welcome to Americas last frontier...
... where the final lumbering
remnants of the lce Age...
... the massive and
awe-inspiring glaciers...
... calve cathedral-sized
icebergs into the sea...
... where natures bounty unfolds
in a panoply of flora and fauna...
... the like of which is seen
nowhere else on the planet.
From the ocean depths,
plumbed by ageless cetaceans...
... to azure s
Original Sin Script
"You cannot walk away from love."
That was the advertisement in a Baltimore newspaper.
And that is how he found her.
She was a young woman in need of a husband.
He was a man who wanted a wife.
Too late to talk sense to him now.
You cant marry her. Youve never met her.
I meet her today. The boat from America comes at 6:00 we marry at 9:00
...by 10:00 Im back at work.
Ridiculous
TWELVE MONKEYS
An original screenplay by
David Peoples
&
Janet Peoples
Inspired by
LA JETEE, a Chris Marker Film
Production Draft
June 27, 1994
FADE IN:
INT. CONCOURSE/AIRPORT TERMINAL - BAY
CLOSE ON A FACE. A nine year old boy, YOUNG COLE, his eyes wide
with wonder. watching something intently. We HEAR the sounds of
the P.A. SYSTEM droning Flight Information mingled with the
sounds of urgent SHO
A Dirty Shame Script
Sylvia...
Sylvia...
Sylvia
Smile for me
Fill my world
with poetry
Forget those
faraway dreams
That haunt you
Sylvia
Young in years
Let the sunshine
Dry your tears
And we
will walk in the wind
And stars
Like April lovers
With hearts aglow...
Come on back
to bed, Sylvia.
Cant you see
Im cooking scrapple?
It can wait.
Sex is in the air.
Not in here it isnt.
I got
Larger Than Life Script
Thank you.
Thank you and welcome,
ladies and gentlemen...
...to the 34th Annual Convention...
...of the American Motion
Upholstery Association.
Thank you.
Wasnt lunch wonderful?
Perfect. As you know...
...this years not been
an easy one for our industry.
As were listening to our inspiring
keynote speaker today...
...hell be giving us a useful shot in the arm.
He is the aut
Lying in bed, coughing. Pale, one sick cookie. Maybe hes seven or eight or nine. He holds a remote in one hand, presses it, and the video game moves a little bit. Then hes hit by another spasm of coughing, puts the remote down.
His room is monochromatic, greys and blues, mildly high-tech. Were in the present day and this is a middle class house, somewhere in the suburbs.
CUT TO:
The Kids MOTHER
ANNIE HALL
written by
Woody Allen
Marshall Brickman
??
(Sound and Woody Allen monologue begin)
??
FADE IN:
White credits dissolve in and out on black screen. No sound.
??
FADE OUT: credits
??
??
FADE IN:
Abrupt medium close-up of Alvy Singer doing a comedy monologue. He
wearing a crumbled sports jacket and tieless shirt; the background is stark.
ALVY
Theres an old joke. Uh, two elderly
women are