Moscow On The Hudson Script
Moscow on the Hudson
Excuse me, please, sir.
Does this bus go to the Lincoln Center?
- Lincoln Center?
- Yes.
Youre on the wrong bus.
Its okay, dont worry.
All you have to do is go to 57th Street,
change buses and get on the No. 30 bus.
Dont worry.
Ill let you know when its time.
Then you go and get a free transfer
from the driver.
- Thank you.
- No problem.
Its tough
The Man hands his coat to coat check woman and thanks her. When he turns we get our first view of DR. RICHARD KIMBLE, a tall, athletic man, with a trim beard.
He moves from the outer lobby into a fabulously decorated ballroom where a fashion show is taking place as a medical fundraiser. Doctors and their spouses, hospital brass and sponsers mingle. Women sit near the runway watching the models. M
WAG THE DOG
by
David Mamet
FADE IN:
A CARD, WHITE ON THE BLACK SCREEN, READS
Why does a dog wag its tail?
BENEATH IT, THE NEXT LINE FADES IN:
Because a dog is smarter than its tail.
CROSS-FADE TO THE NEXT CARD, WHICH READS:
If the tail were smarter, the tail would wag the dog.
DISSOLVE
FADE IN:
EXT THE WHITE HOUSE NIGHT
A VAN FULL OF PEOPLE STOPS AT A SIDE ENTRANCE.
ANGLE INT THE WHITE HOUSE
AT T
HEATHERS
An Original Screenplay
by
Daniel Waters
FINAL SHOOTING SCRIPT
Registered WGAW
February 8, 1988
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
FADE IN:
EXT. SAWYERS BACKYARD--DAWN
Elegiac music murmurs as three female and barefoot PAIRS OF
LEGS in skirts break from tableau to gently engage in Croquet.
A blue
South Park:
Bigger, Longer and Uncut
By
Trey Parker
Matt Stone
&
Pam Brady
FADE IN:
Very happy, Disneyesque MUSIC swirls in.
PAN DOWN from a pretty blue sky, to a small quaint town
nestled in the hills. A wooden sign tells us this is South
Park.
EXT. SOUTH PARK AVENUE - DAY
Birds fly into the air, TOWNSPEOPLE smile to each other as
they walk by.
It is a scene reminiscent of, if not directly rippe
"THE BASE"
??
EXT. BORDER CHECKPOINT -- DAY
Cars filled with tourists move slowly through the checkpoint
into Mexico. On the American side: clean uncrowded streets.
??
EXT. TIAJUNA, MEXICO -- DAY
But just across the border: crowds, garbage everywhere,
buildings crammed together on pot holed streets. It seems
darker, more dangerous. Everything has a touch of evil.
??
EXT. STRIP CLUB -- DAY
A honky
ANNIE HALL
written by
Woody Allen
Marshall Brickman
??
(Sound and Woody Allen monologue begin)
??
FADE IN:
White credits dissolve in and out on black screen. No sound.
??
FADE OUT: credits
??
??
FADE IN:
Abrupt medium close-up of Alvy Singer doing a comedy monologue. He
wearing a crumbled sports jacket and tieless shirt; the background is stark.
ALVY
Theres an old joke. Uh, two elderly
women are
Grainy but unmistakably a man and woman making love. Photograph shakes. SOUND of a man MOANING in anguish. The photograph is dropped, REVEALING ANOTHER, MORE compromising one. Then another, and another. More moans.
CURLYS VOICE
(crying out)
Oh, no.
INT. GITTES OFFICE
CURLY drops the photos on Gittes desk. Curly towers over GITTES and sweats heavily through his workmans clothes, his breathing prog
TV REPORTER: Treasure hunter Brock Lovett is best known for finding Spanish gold off islands in the best Caribbean. LIZZY: It’s OK, I’ll get you in a minutes. Come on. TV REPORTER: Now he is using Russian subs to reach the most famous shipwreck of all, the Titanic. He is with us live via satellite from the research ship Keldysh in the North Atlantic. Hello, Brock. BROCK: Hello, Tracy. Of cour