All we can see, filling the entire frame is a flame-orange sky... almost like the sky from the burning of Atlanta in "Gone with the Wind".
SUPERIMPOSE: Presenter credit
PAN DOWN lower and lower until we see the terrain below... the desert. There is no vegetation whatever, just sand and odd-shaped rock formations. The air is filled with red dust, which alternately obscures and then reveals the ima
Coach Carter Script
Yeah! Nice job! Nice pass!
St. Francis High School
basketball phenom
Ty Crane,
who they recruited just last year,
is widely held as
the next LeBron James.
We simply know him
as "The Crane. "
Come on.
Come on, yall!
Timo, lets go man, come on.
Yeah, whatever.
Where you at? Where you at?
Pick him up! Pick him up!
- Hey, son.
- Hey.
Right here, right here.
- Blue ball!
- Good D,
DR. BURTON, the Chief Psychiatrist moves down the old hallway, face tense. He steps through a doorway into...
INT. MAXIMUM SECURITY - NIGHT
Security cells. Criminal maniacs sealed behind protective casings.
A GUARD stands before a heavy door.
GUARD
Hell of a night, huh Doc?
BURTON
Hells in here.
Hydraulics HISS. The cell door unseals.
INT. SECURE ISOLATION CELL
POINT BREAK
by James Cameron & Kathryn Bigelow
From the Screenplay by
W. Peter Iliff
??
??
FADE IN:
We are in the belly of a wave.
Light refracts in a constant collision of water.
SLOW MOTION, the hallucinatory prisms, like liquid
diamonds taking flight, dreamlike...
??
EXT. OCEAN - DUSK
Backlit against a flaming sun a solitary SURFER glides
across the green glassy peak. TIME IS STRETCHED until h
CLARENCE WORLEY, a young hipster hepcat, is trying to pick up an older lady named LUCY. She isnt bothered by him, in fact, shes a little charmed. But, you can tell, that she isnt going to leave her barstool.
CLARENCE
In "Jailhouse Rock" hes everything rockabillys about. I mean he is rockabilly: mean, surly, nasty, rude. In that movie he couldnt give a fuck about anything except rockin and rollin,
Contact
??
FADE IN:
INT. ARROWAY HOUSE - EVENING
We open on the upstairs of a two-story house, where we see a young girl
talking into a radio transmitter.
YOUNG ELLIE
CQ, this is W9GFO. CQ, this is W9GFO here, come back. CQ, this is
W9GFO here, come back. CQ, CQ, this is W9GFO, is anybody out
there? (looks to her father) It not getting anything.
TED ARROWAY
Small moves Ellie, small moves.
YOUNG E
A SILHOUETTED MAN in front of mirror dons his Marine dress blues. Spit polish shoes laced. Medals clipped to jacket. All in CLOSEUP. We never see him fully.
The Man puts HIS HAT squarely on his head. EYES glint.
On the mans dresser: MARINE MEMORABILIA. Three Purple Hearts, photos of a WOMAN (his wife), PHOTOS OF MARINES in combat locales.
TIGHTER INTO THE PHOTOS
We HEAR PANICKED VOICES, EXPLOSION
Men in Black
Screenplay by Ed Solomon
Produced by Walter F. Parkes
Laurie MacDonald
Directed by Barry Sonnenfeld
Cast List:
Tommy Lee Jones K
Will Smith J
Linda Fiorentino Laurel
Vincent DOnofrio Edgar
Rip Torn Zed
Tony Shalhoub Jeebs
Siobhan Fallon Beatrice
Mike Nussbaum Gentle Rosenberg
Richard Hamilton D
Keith Campbell Perb
John Alexander Mikey
EXT. ROAD - TEXAS / MEXICO BORDER - NIGHT
A mill
THE MATRIX
by Larry and Andy Wachowski
FADE IN:
ON COMPUTER SCREEN
so close it has no boundaries.
A blinking cursor pulses in the electronic darkness like a
heart coursing with phosphorous light, burning beneath the
derma of black-neon glass.
A PHONE begins to RING, we hear it as though we were
making the call. The cursor continues to throb,
relentlessly patient, until --
MAN (V.O.)
Yeah?
Data no
RETURN OF THE APES
by Terry Hayes
first draft
1996
DEEP SPACE.
No atmosphere, no life, nothing. Just a web of lights- a billion stars hang
in a velvet void. The only sound is the howl of the cosmic wind.
The light of a distant sun strikes a rising planet. We see ragged
continents and oceans wreathed in cloud. This is earth rise. Our world
spins slowly in space, a thing of beauty, of awesome majes