raise money for the fire engine.
Mal, you shouldve knowed
he was in the park.
Knowed it all the time,
but they wanted to see the house.
Cant read their minds
if they dont say what they want.
Come in, please.
- Can l get you a cup of tea?
- No, thank you.
Sit down. Sure l couldnt get you
a glass of lemonade or something?
No.
Thats very kind of you.
- Are you related to him?
- No, Im his housekeepe
Mystery, Alaska Script
Oh, Skank!
Fuck me!
Hey.
What did you say?
You teach him that?
He heard it
in the locker room, Dad.
- From who?
- Everyone.
You know what its like
in there.
He shoots.
He scores!
Wouldnt start again?
- Was it the gas line?
- I dont know. Ill ask Tinker.
- Mmm.
- Mmm.
Take the sled, will ya?
I wanna wait for the mail.
- The magazines supposed to be here, express.
- Okay. Bet
HEATHERS
An Original Screenplay
by
Daniel Waters
FINAL SHOOTING SCRIPT
Registered WGAW
February 8, 1988
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
FADE IN:
EXT. SAWYERS BACKYARD--DAWN
Elegiac music murmurs as three female and barefoot PAIRS OF
LEGS in skirts break from tableau to gently engage in Croquet.
A blue
American Pie
by
Adam Herz
WHITE REVISION: 7/7/98
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
INT. JIMS BEDROOM - NIGHT
PAN across details in a bedroom...we see discarded
shirts...pants...socks...and hear
PORNO-CHANNEL CHICK (V.O.)
Oooh, yeah. Oh, baby, youre so good.
JIM (O.S.)
Yeah, Im the best, baby.
Now w
Great Falls
by
Adam Herz
WHITE REVISION: 7/7/98
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
INT. JIMS BEDROOM - NIGHT
PAN across details in a bedroom...we see discarded
shirts...pants...socks...and hear
PORNO-CHANNEL CHICK (V.O.)
Oooh, yeah. Oh, baby, youre so good.
JIM (O.S.)
Yeah, Im the best, baby.
Now we
raise their guns to fire
Thump. Thump.
Kaplan fires his silenced 9mm sidearm at one Guard.
Thump. Thump.
Zamborski hits the other... A big red splotch on the Guards
chest appearing before he goes down.
The Team always "double taps" (fires two rounds) a target.
Zamborski uses hand signals to give each man his search
assignment. The building is two storeys. Many doorways,
many hallways.
KAPLAN is t
"GODS AND MONSTERS"
Screenplay
by
Bill Condon
Based on the novel
"Father of Frankenstein"
by
Christopher Bram
May 30, 1997
SHOOTING DRAFT
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
MAIN TITLES BEGIN
Writhing pools of light and dark, out of which emerge images
from "The Bride of Frankenstein," direc
SNOW FALLING ON CEDARS
Screenplay by Ron Bass and Scott Hicks
Based on the novel by David Guterson
May 4, 1998
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. THE SUSAN MARIE, SHIP CHANNEL BANK - NIGHT
Fog. Penetrated only by sound. The LAPPING of sea at a
drifting hull. Tendrils of mist part, revealing...
...a f
raised in Argentina by the Nazis to follow in his fathers steps.
Thats so ridiculous!
Well, its a premise, and theyre allowed to be ridiculous.
Thanks, but Im gonna keep looking.
-A 25-dollar-book for $3.99 . -Not, if I dont buy it.
Right.
Is this you?
-Did you write this book? -It took years out of my life...
but dont let that influence you.
Would you sign this for me?
-Are you sure? -Sure!
-Wha
Contact
??
FADE IN:
INT. ARROWAY HOUSE - EVENING
We open on the upstairs of a two-story house, where we see a young girl
talking into a radio transmitter.
YOUNG ELLIE
CQ, this is W9GFO. CQ, this is W9GFO here, come back. CQ, this is
W9GFO here, come back. CQ, CQ, this is W9GFO, is anybody out
there? (looks to her father) It not getting anything.
TED ARROWAY
Small moves Ellie, small moves.
YOUNG E