HOT ZONE
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Screen story & screenplay by
Jim V. Hart
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Based on "Crisis in the Hot Zone"
by Richard Preston
"You might call AIDS the revenge of
the rain forest..."
Richard Preston
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"These diseases are true emergers.
Humans have truly stumbled into
these occult agents."
Dr. Karl Johnson
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"Weve got company!"
Han Solo
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BLACKSCREEN:
LEGEND: IN 1976, OUTBREAKS OF LETHAL HEMORR
Oliver And Company Script
Now its always once upon a time
in New York City
Its a big old
bad old tough old town
Its true
But beginnings
are contagious there
Theyre always
settinstages there
Theyre always
turninpages there for you
Aint it great the way
it all begins in New York City
[Boy]
Let me have one. Please.
Right away
youre makintime
And makinfriends
[Meowing]
- No one cares
where y
THE LOST WORLD
JURASSIC PARK
screenplay by
David Koepp
EXT. TROPICAL LAGOON - DAY
A 135-foot-luxury yacht is anchored just offshore in a
tropical lagoon. The beach is a stunning crescent of white
sand at the jungle fringe, utterly deserted.
ISLA SORNA
87 miles southeast of Nublar
Two SHIP HANDS, dressed in white uniforms, have set up a
picnic table with three chairs on the sand and are carefully
SUPERMAN LIVES
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Written by
Kevin Smith
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EXT. SPACE
An Alien craft floats through the void, approaching a slow-moving
ASTEROID.
INT. ALIEN CRAFT
Two humanoid ALIENS dressed in uniforms pilot their craft nearer
to the asteroid.
ALIEN #1
Receiving a signal from an alien system,
but theres interference on the channels.
ALIEN #2
Once we get past this asteroid, it should
clear up.
Suddenly, THRO
Wes Cravens
A NIGHTMARE ON ELM STREET
1A. INT. (MONTAGE). 1A.
NIGHTMARE MUSIC THEME begins as we FADE UP on a SERIES OF SHOTS,
all CLOSE and teasing.
-- A mans FEET, in shabby work shoes, stalking
through a junk bin in a dark, fire-lit, ash-
dusted place. A huge BOILER ROOM is what it
is, although we only glimpse it piecemeal.
Then we SEE a MANS HAND, dirty and nail-bitten,
reach INTO FRAME and p
SCREAM 3
EHREN KRUGER
2nd DRAFT - REVISED
MAY 2, 1999
FADE IN:
A big dramatic crescendo as we --
OPEN ON:
EXT. HOLLYWOOD FREEWAY - SUNSET - AERIAL
Friday night traffic as usual. Things appear to be backed up all the way to
the valley. A cacophony of car horns rise up on the soundtrack as we slowly
DISSOLVE INTO:
INT. FORD EXPLORER - NIGHT
A new 99 Explorer sits in the midst of the gridlock. Beh
We sweep slowly across an endless tapestry of stars. Finally she comes into view: The U.S.S. AURIGA. A massive research vessel that sits majestically just beyond Plutos orbit.
WE TRACK ALONG the side of the ship, and...
INT. AURIGA
... along the silent, empty corridors, coming at last to a door with two guards standing rigid in front of it. Full armour, powerful shockrifles, expressions empty and
Silence. Norland Park, a large country house built in the early part of the eighteenth century, lies in the moonlit parkland.
2 INT. NORLAND PARK. MR DASHWOODS BEDROOM. NIGHT.
In the dim light shed by candles we see a bed in which a MAN (MR DASHWOOD, 52) lies his skin waxy, his breathing laboured. Around him two silhouettes move and murmur, their clothing susurrating in the deathly hush. DOCTORS.
is applied to a paper mache surface, and a popsicle stick is pressed into place. (We are TOO TIGHT to see the object being constructed.)
CLOSEUP - KRISTEN PARKER
Kristen (16) is strikingly pretty, despite the dark, tired circles under her eyes. Shes exhausted, but desperately trying to stay awake. She wears pajamas and robe.
Her head nods, her eyelids close. She snaps herself awake.
CLOSEUP - THE
CREDITS: White lettering over a back background. The THUNDEROUS SOUNDS OF A MASSIVE NAVAL BARRAGE are heard. The power is astonishing. It roars through the body, blows back the hair and rattles the ears.
FADE IN:
ext. Omaha Beach - normandy - dawn
The ROAR OF NAVAL GUNS continues but now WE SEE THEM FIRING. Huge fifteen inch guns.
A SWARM OF LANDING CRAFT
Heads directly into a nightmare. MASSIVE