1492: CONQUEST OF PARADISE
??
by
Roselyne Bosch
REVISED
September 23, 1991
??
??
FADE IN:
CREDITS AND MUSIC OVER:
INT. AUDIENCE ROOM - GRANADA - DAY
We start on a mans elegant slipper. He is seated in a
splendid chair. Moving up the stocking leg, we pass the
garter of Castile, coming to rest on a pair of delicate
hands. His fore finger impatiently plays with a large
topaz ring. Over this, we hear
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e
-
The 39 Steps Script
Stall, please.
Ladies and gentlemen...
with your kind attention
and permission...
I have the honor
of presenting to you...
one of the most remarkable men
in the world.
- How remarkable?
- Hes sweating.
Can you be surprised
at that, gentlemen?
Every day he commits to memory
new facts...
and remembers every one of them.
Facts from history, from geography,
from newspapers...
fr
Gattaca
A Screen Play
by Andrew M. Niccol
FADE IN
A white title appears on a black screen.
"As night-fall does not come at once, neither
does oppression...It is in such twilight that
we all must be aware of change in the air
- however slight - lest we become victims of
the darkness."
Justice William O. Douglas
The title fades off, replaced by a second title.
"I not only think that we will tamper
SPHERE
BY
PAUL ATTANASIO
Based on the novel by
Michael Crichton
BARRY LEVINSON VERSION SHOOTING SCRIPT
FADE IN:
EXT. OCEAN FLOOR - DAY
BEGIN TITLES.
MOVING AMONG the hallucinatory variety of creatures --
barbaric, distorted, sublime -- that haunt the ocean floor.
All but unknown to man except in the deep preconscious brain
that houses the family album of the race... Where we remember
that they ar
THE MESSENGER: THE STORY OF JOAN OF ARC
by
Andrew Birkin
and
Luc Besson
??
FADE IN:
EXT. CHURCH - DOMREMY - DAY
FADE UP on ripples on the surface of a puddle. Slow PAN
UP: the water becomes placid, and in it we see the
reflection of an inverted CROSS on the top of a small
church. We move across the little churchyard and in
through the open doors.
??
INT. CHURCH - DOMREMY - DAY
Utter simplicity --
Bend It Like Beckham Script
David Beckham
gets the ball again for Manchester United.
Hes taking responsibility
every time they have possession.
This reflects the way
hes been captaining England.
Hes dominating proceedings,
hoping perhaps to get a bit more support
as he gathers the ball on this
right-hand touchline time after time.
And the Old Trafford crowd warming
to the way Beckham is taking ov
Network Script
This story is about Howard
Beale, the news anchorman on UBS TV.
In his time, Howard Beale
had been a mandarin of televisin,
the grand old man of news, with a HUT
rating of and a audience share.
In however,
his fortunes began to decline.
He fell to a share.
The following year his wife died
and he was left a childless widower
with an eight rating and a share.
He became morose and iso
The camera is moving toward an Indian city. We are high and far away, only the sound of the wind as we grow nearer and nearer, and through the passing clouds these words appear:
No mans life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the
Office Space Script
OFFICE SPACE
Starring
Ron Livingston (Peter), Jennifer Aniston (Joanna), Ajay Naidu (Samir),
David Herman (Michael), and Gary Cole (Bill
Written by:
Transcribed by
Jean Liew
[Scene: A highway. Theres a huge traffic jam. Peter drives forward a
bit at a time and he sees an old man with a walker on the sidewalk. The
lane next to his is moving, so he switches lanes, only to hav