DARK CITY
by
Alex Proyas
& Lem Dobbs
Revised draft May 9, 1994
INT. OPENING MONTAGE
OVER BLACK a low rumble increases in volume.
FADE UP:
A GLOVED HAND wraps around a bulky scissor-switch, thrusts
DOWN.
SNAP! - Electricity arcs through darkness.
OS SOUND of MACHINERY turning on.
TITLES OVER
MONTAGE OF CLOCKS - VARIOUS. The clocks are frozen, then second
hands turn - TICKING gets louder...
EXT. CI
Flirting With Disaster Script
My mother could be rich.
She could be rich and smart.
Or she could be rich and stupid.
On the other hand, she could be
just poor and good-hearted.
Or she could be poor and mean.
I mean, I-I have no idea
what shes like. Its-
And theres my father, right?
I look at guys on the street every day-
regular guys
walking down the street.
And depending on my mood, I imagine
th
Day of The Dead
FADE IN:
1 EXT. THE EMPTY STREET OF A CITY - DAY
No people. A FEW CARS AND TRUCKS are parked at odd angles,
abandoned. A TITLE FADES IN, one phrase at a time.
FIVE YEAR...
SINCE THE DEAD FIRST WALKED.
2 EXT. THE CITY - DAY
We hear THE SOUND OF A STRONG WIND. DEBRIS flutters through the
streets. A LARGE ALLIGATOR slithers into frame, stops and
looks around.
MONTAGE: as MORE GATORS
The Exorcist Script
EXTERIOR- IRAQ- EXCAVATION SITE- NINEVEH- DAY
Pickaxes and shovels weld into the air as hundreds of excavators
tear at the desert. The camera pans around the area where
hundreds of Iraqi workmen dig for ancient finds. The caption
Northern Iraq appears at the bottom of the screen as the digging
continues. The camera then follows a young boy running bare foot
over the rock
THE LITTLE MERMAID
(An ocean. Birds are flying and porpoises are swimming happily.
From the fog a ship appears crashing through the waves)
Sailors: Ill tell you a tale of the bottomless blue
And its hey to the starboard, heave ho
Look out, lad, a mermaid be waitin for you
In mysterious fathoms below.
Eric: Isnt this great? The salty sea air, the wind blowing in your face . . .
a perfect day to be
ERIK THE VIKING - Terry Jones
---------------
Blackness.
Flames begin to lick upwards from the bottom of the screen.
Suddenly all hell breaks loose. Screaming, yelling. Black figures flash
across the foreground, with the flames still burning behind.
There follows a confusion of burning, raping, killing and looting - we
dont clearly see whats going on.
Suddenly we cut to the interior of a hut. The
Ⅲ. Conclusion
◎ Relationship between Culture, Ethnicity and Identity
간단히 말하자면, 이것들은 상화작용의 관계이다. 특히, 정체성은 문화와 민족성에 상당히 영향을 받는다. 이 세 개념은 분명히 다르다. 하지만 서로에게 영향을 미친다.
◎ Selfidentity Practice and Respecting the Other`s Selfdefinition
자기 정체성
Airport management, in common with others involved in the operation of elements of the civil air transportation system, are required to take measures that will provide a high level of protection of buildings and equipment (including aircraft), in addition to ensuring the safety and personal security of passengers and staff using the system. This must be done in manner that disturbs the normal ope
carelessness or the existence of systematic problems. Only in this way, by employing an analytical approach, can a security system's strengths and weaknesses be evaluated. Alterations in major policy direction are by a continuous situation assessment of the changing security climate. Factors that can radically alter the security threat in a particular country or at a particular airport are politi
1. The basis on which posterity will rank our civilization is the quality of our ideas. Our position among civilizations is determined by the _________.
① location of our civilization ② value of our thought
③ influence we have ④ rigidity of our thought
⑤ quantity of our thought
2. As you drive a car on a straight road where the sun is beating down, you may seem to see a shim