HOT ZONE
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Screen story & screenplay by
Jim V. Hart
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Based on "Crisis in the Hot Zone"
by Richard Preston
"You might call AIDS the revenge of
the rain forest..."
Richard Preston
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"These diseases are true emergers.
Humans have truly stumbled into
these occult agents."
Dr. Karl Johnson
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"Weve got company!"
Han Solo
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BLACKSCREEN:
LEGEND: IN 1976, OUTBREAKS OF LETHAL HEMORR
SUPERMAN LIVES
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Written by
Kevin Smith
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EXT. SPACE
An Alien craft floats through the void, approaching a slow-moving
ASTEROID.
INT. ALIEN CRAFT
Two humanoid ALIENS dressed in uniforms pilot their craft nearer
to the asteroid.
ALIEN #1
Receiving a signal from an alien system,
but theres interference on the channels.
ALIEN #2
Once we get past this asteroid, it should
clear up.
Suddenly, THRO
The boy looks up, confused and frightened, concerned to see his mother crying in public. She looks at him tenderly.
Her brow furrows. She stops crying. She stares just above his eyes.
Somethings happening: she looks with wonder at the top of his head... his eyes roll upward, trying to see - its a crown!
He raises his hands. He touches it.
A beam of light illuminates the crown, casting its glow
limbs up onto the roof of a parked
local TV van, finds the object again in the distance,
zooms in, and waits, like everyone else.
Abruptly the VIDEO IMAGE contracts, becoming a box
CHROMAKEYED behind CNN reporter DUNCAN CRAIS.
CRAIS
That was the scene in Californias
Mojave Desert three years ago today
-- the historic first view of the
Newcomer ship upon its dramatic
arrival. As with the assassina
We sweep slowly across an endless tapestry of stars. Finally she comes into view: The U.S.S. AURIGA. A massive research vessel that sits majestically just beyond Plutos orbit.
WE TRACK ALONG the side of the ship, and...
INT. AURIGA
... along the silent, empty corridors, coming at last to a door with two guards standing rigid in front of it. Full armour, powerful shockrifles, expressions empty and
All we can see, filling the entire frame is a flame-orange sky... almost like the sky from the burning of Atlanta in "Gone with the Wind".
SUPERIMPOSE: Presenter credit
PAN DOWN lower and lower until we see the terrain below... the desert. There is no vegetation whatever, just sand and odd-shaped rock formations. The air is filled with red dust, which alternately obscures and then reveals the ima
A womans face BACKS INTO SHOT, her head resting against grimy wallpaper. She is tense, sweaty, wide-eyed with concentration. This is CLARICE STARLING - mid-20s, trim, very pretty. She wears Kevlar body armor over a navy windbreaker, khaki pants. Her thick hair is piled under a navy baseball cap. A revolver, clutched in her right hand, hovers by her ear. She raises a speedloader, in her left hand,
We are floating up a steep scrubby slope. We hear male voices gently singing "Tumbling Tumbleweeds" and a deep, affable, Western-accented voice - Sam Elliots, perhaps:
VOICE-OVER
A way out west there was a fella, fella I want to tell you about, fella by the name of Jeff Lebowski. At least, that was the handle his lovin parents gave him, but he never had much use for it himself. This Lebowski, he
The Witching Hour
Screenplay by ANNE RICE
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FADE IN:
EXT. A SCOTTISH MOOR - NIGHT - 1670 A.D.
Far off, a massive stone castle looms. Trees silhouetted an
the horizon against the star-dotted, qreen-purple sky. The branches of one tree seem to reach
for the stars...
TRACKING IN - the tree is A HOODED FIGURE: SUZANNE - 20, golden hair spilling from her hood,
dazzling green eyes. Nestled in the f
The Wizard Of Oz
by
Noel Langley
Florence Ryerson
and Edgar Allen Woolf
Cutting Continuity Script
Taken From Printers Dupe
Last revised March 15, 1939
FADE IN -- Title:
For nearly forty years this story has given faithful service to the Young
in Heart; and Time has been powerless to put its kindly philosophy out of
fashion.
To those of you who have been faithful to it in return
...and to the You