Silence. Gradually the sound of distant traffic becomes audible. A LOW ANGLE bounded on one side by a chain-link fence and on the other by the one-story public school buildings. Spray-can hieroglyphics and distant streetlight shadows. This is a Los Angeles public school in a blue collar neighborhood.
ANGLE BETWEEN SCHOOL BUILDINGS
Where a trash dumpster looms in a LOW ANGLE, part of the clutter b
Science fiction plucks from within us our deepest fears and hopes then shows them to us in rough disguise: The monster and the rocket.
W.H. Auden
We live, as we dream - alone.
Joseph Conrad
"ALIEN"
FADE IN:
SOMETIME IN THE FUTURE:
INT. ENGINE ROOM
Empty, cavernous.
INT. ENGINE CUBICLE
Jimmy Neutron: Boy Genius Script
You better have a look at this, sir.
- Commercial flight. - No. Too fast, sir.
- One of our own? - Air Force has nothing scheduled.
Weve got ourselves a bogey.
Orange Leader to Delta Group, anticipate visual contact...
now.
Holy cow pie!
Hi. Nice antiques.
Gotta blast.
Fusion mix, stable. Engines cycling at one million gigajoules.
Cool. We didnt blow up.
Great.
Ji
American Pie
by
Adam Herz
WHITE REVISION: 7/7/98
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
INT. JIMS BEDROOM - NIGHT
PAN across details in a bedroom...we see discarded
shirts...pants...socks...and hear
PORNO-CHANNEL CHICK (V.O.)
Oooh, yeah. Oh, baby, youre so good.
JIM (O.S.)
Yeah, Im the best, baby.
Now w
NOTTING HILL
Screenplay by Richard Curtis
Title
EXT. VARIOUS DAYS
She plays through the credits.
Exquisite footage of Anna Scott -- the great movie star of our
time -- an ideal -- the perfect star and woman -- her life full of
glamour and sophistication and mystery.
EXT. STREET - DAY
Mix through to William, 35, relaxed, pleasant, informal. We
follow him as he walks down Portobello Road, carryi
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they move in herds among the glittering rows of cars jammed bumper to bumper. Heat ripples distort the torrent of faces. The image is surreal, dreamy... and like a dream it begins very slowly to...
DISSOLVE TO:
EXT. CITY RUINS - NIGHT
Same spot as the last shot, bu
Great Falls
by
Adam Herz
WHITE REVISION: 7/7/98
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
INT. JIMS BEDROOM - NIGHT
PAN across details in a bedroom...we see discarded
shirts...pants...socks...and hear
PORNO-CHANNEL CHICK (V.O.)
Oooh, yeah. Oh, baby, youre so good.
JIM (O.S.)
Yeah, Im the best, baby.
Now we
City Of God Script
Damn! The chicken is gone! Get her,mister!
If the picture is good I will work in a newspaper.
You are playing with your life for a photograph?
Do you think that i am in the mood to see the fucking gang?
The chicken bro!
The chicken i told you, asshole!
Get the chicken!
If Ze gets you, youre dead.
He has to find me first.
Hey,kid! Get the chicken!
-The cops! -Dont run!
B
THE INSIDER
written by
ERIC ROTH & MICHAEL MANN
11/5/99
FADE IN:
All we can see is black filling the screen... Black on
black...
INT. A JEEP, LEBANON - DAY
And were in a speeding SOVIET JEEP... Two men in front,
shouldering assault rifles. HEZBOLLAH SOLDIERS... And there
are three MEN in the back. A middle-aged Man wearing a tired
suit and tinted sunglasses trying to hold on. And on either
side o
The following is Matt Damon and Ben Afflecks Award Winning Script for Good Will Hunting. It is what Matt Damon and Ben Affleck originally wrote on paper before the movie was made.
FADE IN:
EXT. SOUTH BOSTON ST. PATRICKS DAY PARADE -- DAY
CUT TO:
INT. L STREET BAR & GRILLE, SOUTH BOSTON -- EVENING
The bar is dirty, more than a little run down. If there is
ever a cook on duty, hes not here now. As