BLACK RAIN
by Craig Bolotin & Warren Lewis
??
A BLACK SCREEN:
Various voices: "Big six"... "Thats six the hard way"...
"Seven or eleven"... "Play two"...
FADE IN:
EXT. UPPER EAST SIDE - NEW YORK CITY - NIGHT
One of the pristine blocks of brownstones where even the
garbage seems gift wrapped. The VOICES continue over as
we move in on a particular building where a DOORMAN is
holding open the door f
color
Staring, gloating,
Laughing, looking
Like weve
done something wrong
Because we show love strong
Get real, come on
Calling us names
too bad to mention
But we pay them
no attention
For color-blind
are inner feelings
If we feel happiness
And know our loves the best
Forget their mess
Ive got jungle fever
Shes got jungle fever
Weve got jungle fever
Were in love
Shes gone black-boy cra
The Omen 4: The Awakening Script
A beautiful baby girl.
Yes. Yes, shes just perfect.
Ill give you to Sister Yvonne. Shes dying to talk to you.
Mrs. York, wait until you see her.
Shes a tiny miracle.
Yes. Yes, of course.
Then well expect you.
All right. Bye.
The clouds sweep away the color.
Leaves everything like a black and white photograph.
Tell me about the parents. Any history of drug ab
toward violence.
TRAVIS GETS A JOB
Film opens on...
EXT. MANHATTAN CAB GARAGE
Weather-beaten sign above driveway reads, "Taxi Enter Here". Yellow cabs scuttle in and out. It is WINTER, snow is piled on the curbs, the wind is howling.
INSIDE GARAGE
Are parked row upon row of multi-colored taxis. Echoing SOUNDS of cabs idling , cabbies talking. Steamy breath and exhaust fill the air.
INT. CORRIDOR
voice
fading away. The afternoon wind is coming up with the
tide. He quietly heads towards the water. Drifting,
drawn, lost.
OLDER CHUCK (V.O.)
Though he had moved on with his
life, now even for the years, to
hear him eulogized by strangers,
seemed strange. He had been a
hewner of stones, a pilot by the
silent stars. Like me, alone among
many. But most of all for us, the
crew of the brigantine Al
colored parasols, sun bathers.
One of the latter is REGINA LAMPERT, a lovely young girl.
She is, besides taking in the sun, involved in her favorite
activity -- eating.
Then -- a dark, ominous shape intrudes in the f.g. FOCUS
CHANGES to bring into sharp relief a revolver -- shining,
black and ugly in the sunlight.
REGGIE, unaware of her danger, continues to eat.
The finger tightens around the tri
COLORED SMOKE and LANDING LIGHTS, the chopper
looms hard INTO VIEW, pitching forward and settling to
the ground, kicking up a maelstrom of dust and vegetation
2-A INT. COMMAND POST - DAY (MAGIC HOUR) 2-A *
Where a MAN wearing a military UNIFORM watches through
the large open windows the helicopter as it continues
to approach. Before the skids have even touched down he
SEES the first of the MEN, d
colored by the late sunlight.
BREMOND
(overly cheerful)
Good afternoon, Bonaparte.
Napoleon ignores him.
BREMOND
What are you reading?
No reply. Dufour moves behind Napoleon.
BREMOND
(angling his head to
read the title)
Dear me, arent we in an unfriendly
mood. Caesars conquest of Gaul.
Arent we terribly conscientious
about our studies? By the way, did
the supervisor give you permission
to take th
BODY OF EVIDENCE
by
Brad Mirman
??
(second draft)
??
Over the BLACK we hear the SOUNDS of two people making love. A
MANS VOICE MOANS passionately.
??
FADE IN:
??
INT. BEDROOM - NIGHT
ANDREW MARSH lies on his back in bed. He is a frail-looking
man in his early sixties, with thinning gray hair. On top of
him is a much younger WOMAN. Although her back is to us, we
catch flashes of her face for a mom
voices... playing and laughing in the sun. A silly,
sing-songy rhyme as WE TRACK SLOWLY over seared asphalt where the
faint hieroglyphs of hopscotch lines are still visible.
CAMERA comes to rest on a burnt and rusted tricycle... next to the
tiny skull of its owner. HOLD ON THIS IMAGE as a female VOICE
speaks: *
VOICE * 3 billion human lives ended on August 29th, * 1997. The
survivors of the nucle