A top-secret, experimental, offensive/defensive military installation hidden away in the countryside outside Philadelphia, Pennsylvania.
CLOSE on a beautiful, intricate, state of the art computer panel as it is lifted out of a large console. A huge, dimly lit display board, sporting a galaxy of small running lights, looms above.
The panels removal creates a large, vulnerable opening, inside of wh
Silent and endless. The stars shine like the love of God... cold and remote. Against them drifts a tiny chip of technology.
CLOSER SHOT
It is the NARCISSUS, lifeboat of the ill-fated star-freighter Nostromo. Without interior or running lights it seems devoid of life. The PING of a RANGING RADAR grows louder, closer. A shadow engulfs the Narcissus. Searchlights flash on, playing over the tiny ship
The camera is moving toward an Indian city. We are high and far away, only the sound of the wind as we grow nearer and nearer, and through the passing clouds these words appear:
No mans life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the
Wes Cravens
A NIGHTMARE ON ELM STREET
1A. INT. (MONTAGE). 1A.
NIGHTMARE MUSIC THEME begins as we FADE UP on a SERIES OF SHOTS,
all CLOSE and teasing.
-- A mans FEET, in shabby work shoes, stalking
through a junk bin in a dark, fire-lit, ash-
dusted place. A huge BOILER ROOM is what it
is, although we only glimpse it piecemeal.
Then we SEE a MANS HAND, dirty and nail-bitten,
reach INTO FRAME and p
Arcade
by
David S. Goyer
Last revised November 6, 1990
INT. ARCADE WORLD -- ELECTRONIC DARKNESS
We dont know if its night or day. Its just black.
And maybe...maybe intermittent SPARKS racing by. So quick we barely
perceive them. Like the sparks you imagine when your eyes are closed.
BREATHING,
slow and hollow, filling up the entire world. Its eerie as hell. A
feeling of utter loneliness.
And now
"GODS AND MONSTERS"
Screenplay
by
Bill Condon
Based on the novel
"Father of Frankenstein"
by
Christopher Bram
May 30, 1997
SHOOTING DRAFT
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
MAIN TITLES BEGIN
Writhing pools of light and dark, out of which emerge images
from "The Bride of Frankenstein," direc
linen, a piece of
white linen
partially covering the bearded face.
END TITLE SEQUENCE.
9 INT. LAPP FARMHOUSE
Partitions have been removed, making the
central rooms of the farmhouse a spacious hall. The place is
packed, a hundred-fifty or more Amish, all sitting in
absolute silence on rows of wooden benches.
A wooden coffin rests on a bench in the f.g.,
and near it the close relatives of the decea
ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we
Die Hard
Screenplay by Jeb Stuart
Steven E. de Souza
Produced by Lawrence Gordon
Joel Silver
Directed by John McTiernan
Cast List:
Bruce Willis John McLane
Bonnie Bedelia Holly McLane
Reginad Vel Johnson Sgt. Al Powell
Paul Gleason Dwayne T. Robinson
Alan Rickman Hans Gruber
De몶Voreaux White Argyle
William Atherton Thornburg
Hart Bochner Ellis
James Shigeta Takagi
Alexander Gudunov Karl
FADE I
LINE RECEPTACLE in the hull of AN
ABANDONED BOAT. A WOMANS HANDS shove a LENGTH OF HOSE down
into the hole.
The woman, MARIA, puts the other end of the hose to her mouth
and sucks the air out.
At ANOTHER DERELICT BOAT, TONY sucks on ANOTHER HOSE.
TONY
Ptoooo! Nothing! Dry as a bone. No gas.
Lets get outa here.
MIGUEL
Check them all. And check the tanks
under the pumps.
MIGUEL and the other two gu