music.
Lets do it right now.
EXcuse me, do you have a light?
If you wanna look down my dress,
you should grow a few inches.
- Wanna dance?
- The twist?
No, thank you.
- Well, we dont have to twist.
- "No" meant "no".
- "No" wasnt a figure of speech?
- No.
- Youre pretty impressed with me.
- No.
Yes, you are.
Stoli, straight up.
So I was impressed.
- Want a drink?
- Same.
Make it two.
Are you one
imagine how excited
you are because of this letter
but I beg you to be strong.
The Jewish community in Nairobi
will pay the fees for your immigration.
Time has come now
In months I can afford letting Regina and you
Come here.
Don뭪 hesitate any longer!
Go to Karl Silbermann immediately.
He can I help you with the schedule.
Tell him which ferry to take
It doesn뭪 matter how long he will be trave
Imagine one caught in your throat.
- Can you imagine the songs they sing?
- Oh, such a romantic.
- Can I help you, ladies?
- Half a dozen birds.
- You clean me out.
What are you gonna do with them?
What do you think were gonna do?
Eat them?
No, we plan to give them
a proper burial.
Thats very funny. Seriously.
Very funny.
Maybe well raise them as pets
and then fly them from the rooftops.
- Would
"WHO SHOT ROGER RABBIT?"
(working title)
Written by
Jeffrey Price and Peter S. Seaman
THIRD DRAFT
September 2, 1986
WHO SHOT ROGER RABBIT?
This movie starts the way all movies should... with a
cartoon. Its not a Disney or a Warners. Its not a
Fleischer, an MGM, or a Lanz. This is a lesser known
studio.
FADE IN:
ON A "MAROON CARTOON"
Accompanied by zany CARTOON MUSIC, the TITLE CARD reads:
MAROON
Imagine one caught in your throat.
- Can you imagine the songs they sing?
- Oh, such a romantic.
- Can I help you, ladies?
- Half a dozen birds.
- You clean me out.
What are you gonna do with them?
What do you think were gonna do?
Eat them?
No, we plan to give them
a proper burial.
Thats very funny. Seriously.
Very funny.
Maybe well raise them as pets
and then fly them from the rooftops.
- Would
Music. Mrs. Beaufort climbs in a carriage at the front of the line and
drives away]
NARRATOR
Carriages waited at the curb for the entire performance. It was widely known in New
York, but never acknowledged, that Americans want to get away from amusement even
more quickly than they want to get to it.
[Ballroom at the Beaufort House]
NARRATOR
The Beauforts house was one of the few in New York that
Music Bill Stafford
Executive Producer Gus Van Sant
Co-executive Producer Allan Mindel
Producer Laurie Parker
Screenplay Gus Van Sant
Additional dialogue by William Shakespeare
Director Gus Van Sant
Produced by New Line Cinema
VIEWS OF THE CITY OF Portland Oregon digressing into the seedy
areas of the small city.
ARCADES, and yellow storefronts, of PORNOGRAPHIC BOOKSHOPS.
A FEW YOUNG MEN LOITER
Object Of My Affection Script
[People Chattering ]
[Applause ]
Welcome to the Brinkley Schooland our first grade show.
Im George Hanson and thisafternoon we are proud to present...
our own adaptationof The Little Mermaid.
Music will get provided by the BrinkleyTrio led by my co-teacher, Melissa Marx.
And now, on with the show.
Hi, Im Nina Borowski,and I think all of you are new here,
so welcome
Music in: J.S. Bach - St Matthew Passion.
Aces body comes flying in - extreme slow motion. His body twists and turns through the frame like a soul about to tumble into the flames of damnation.)
MAIN TITLE SEQUENCE.
INT. TANGIERS CASINO FLOOR - NIGHT
Vignette of ACE: through rippling flames, we move in on ACE ROTHSTEIN overseeing the casino. He lights a cigarette.
ACE: (Voice-over) Before I eve
music here.
Were not making chicken.
Well, get it done.
We need this done.
Sir, excuse me!
Good morning, Mr. Phillips!
- I have a brand-new-
- Got you!
- Mr. Phillips!
- Give me your arm, pervert!
- Take a quick listen!
- You smell like dog crap!
Officer, could you take me
to the 36th Precinct?
Theyre nice to me there.
You promise? 6:00?
Okay. Ill be the redhead
who looks like this.
In that case,