Zulu Dawn
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1. SCRIPT APPEARS ON BLACK SCREEN:
One hundred years ago the British Colony of Natal in Southern
Africa was surrounded by a
vast and independent Zulu Kingdom.
In 1879, a banle took place that was forever to alter the
course of colonial history:
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I SANDHLWANA
2 EXT. DAWN.
Four Zulus are seen in silhouette herding cattle up a hill.
3. LONG SHOT - Two Zulus are seen in silhouette high
A beautiful, sprawling suburban estate at sunset. Classic wrought-iron gates protect a winding driveway which snakes its way up through a neatly manicured lawn.
INT. WAYNE LIVING ROOM - NIGHT
ALFRED PENNYWORTH, the Wayne family butler, fluffs up a cushion in the large, elegant living room. A kind-looking man in his late forties with dark moustache and hair, he epitomizes the proper British moor d
Tiled roofs, the stark white stucco of a colonial town square. Black iron bars at a bank. A briefcase carried in a mans hand. A snipers rifle being assembled. Thick blocks of hundred dollar bills. Placed in the briefcase. A mans teeth as he smiles grimly at the sight.
Sounds over a SUBJECTIVE VIEW. The BRIEFCASE SNAPS SHUT. A VAULT DOOR SLAMS. RUBBER SOLES WALK a tiled floor. Ahead, brilliant, w
The motorcycle becomes airborne and on the way up slices itself in half as it scrapes along the full length of a Datsun Kingcab.
In the air, the rider and motorcycle twist violently as they fly by.
The motorcycle bounces off a black 66 Chevrolet and makes a sound like the end of the world.
The rider hits the same Chevy a moment later. Like a broken ragdoll shot from a canon, the man punches throu
Runaway Bride
Screenplay by
Sarah Parriott & Josann McGibbon
FADE IN
EXT. AN IMPOSSIBLE EXPANSE OF MARYLAND FARMLAND - DAY
The wind rustles the endless field of corn, blows over the
freshly mown meadow of soybeans, and magically sways a copse of
trees.
Its a Fall after-noon. A SUDDEN POUNDING OF GALLOPING HOOVES
breaks the peace and... A HORSE and RIDER burst between the rows
of corn into th
PITCH BLACK
Screenplay
by
David Twohy
Based on material by Ken and Jim Wheat
Revised First Draft
3/3/98
Though mentioned often in the script, the creatures in PITCH BLACK are
seldom seen at length; rather, they are glimpsed, they are heard, they are
felt. They are, really, the embodiment of your nocturnal fears: A howling
coyote that jars you awake; the painting on the wall that comes to life
The camera is moving toward an Indian city. We are high and far away, only the sound of the wind as we grow nearer and nearer, and through the passing clouds these words appear:
No mans life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the
TRUE LIES
WRITTEN
BY
JAMES CAMERON
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TITLE SEQUENCE
1 EXT. MOUNTAINS, NEAR GENEVA, SWITZERLAND - NIGHT
The snow covered Alps stand out clearly in the light of a full
moon. A fortress-like CHATEAU is situated in a flat saddle of
forest partway up the mountain, next to a frozen lake. The
property is surrounded by high stone walls, and the stately
grounds are bathed in floodli
HIGHLANDER III
by
Brad Mirman
First Draft
PROPERTY OF DAVIS/PANZER PRODUCTIONS
1
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FADE IN:
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EXT. COUNTRYSIDE - DAY
The end of Winter. SNOW blankets the landscape. A SMALL
STREAM rushes through the VALLEY. A clear, blue sky hangs over
the DISTANT MOUNTAINS adding to the beauty of the setting.
SUPER IMPOSE: SCOTTISH LOWLANDS - 1665
The CAMERA begins to PAN. The color of the SNOW begins to
chang
We are floating up a steep scrubby slope. We hear male voices gently singing "Tumbling Tumbleweeds" and a deep, affable, Western-accented voice - Sam Elliots, perhaps:
VOICE-OVER
A way out west there was a fella, fella I want to tell you about, fella by the name of Jeff Lebowski. At least, that was the handle his lovin parents gave him, but he never had much use for it himself. This Lebowski, he