intent on the map, its changing times and distance. He
checks his watch - the countdown has gone from 20 to three hours
and 32 minutes as Nekhorvich is mesmerized by the descending
seconds whipping by.
ETHAN HUNT sits into shot on the vacant first class aisle seat
beside Nekhorvich.
ETHAN
You keep staring at that watch as if your
life depended on it, Doctor..
NEKHORVICH
Well, yes. I suppose
distorted)
I cant think of anything.
JACK (V.O.)
With my tongue, I can feel the
rifling in the barrel. For a second,
I totally forgot about Tylers whole
controlled demolition thing and I
wondered how clean this gun is.
Tyler checks his watch.
TYLER
Its getting exciting now.
JACK (V.O.)
That old saying, how you always hurt
the one you love, well, it works both
way.
Jack turns so that he can see do
distorted by
the rubber.
Finally CAMERA MOVES IN CLOSE on the eyes of the mask. It is blank,
empty, a dark, staring socket. SUPERIMPOSE FINAL CREDIT.
FADE OUT:
FADE IN:
2 Black screen. SUPERIMPOSE:
HADDONFIELD, ILLINOIS
OCTOBER 31, 1963
DISSOLVE TO:
3 EXT./INT. MYERS HOUSE - NIGHT - SUBJECTIVE POV (PANAGLIDE)
It is night. We move toward the rear of the house through SOMEONES
POV. CAMERA MOVES UP
DISTORTING.
As quickly as the fluid filled the tank it now drains.
The god-like hand again LIFTS us from the tank but
something is wrong because --
We SLIP THROUGH her fingers.
The GROUND RUSHES UP at us but when we hit --
We BOUNCE. And BOUNCE.
FLIP FLOPPING, the bounces coming quicker and quicker,
LOWER and LOWER until we are RACING ACROSS the floor.
Free!
We see the woman in her white lab coat
intently for a
reaction.
SEBASTIAN
(beat)
I am a goddamn genius.
He hits a few more keys and a telephone keypad appears on
the screen. He dials.
CUT TO:
INT. ANOTHER BEDROOM - NIGHT
Digital phone rings.
In the bed, LINDA FOSTER, late twenties, stirs from a
deep sleep. As she straggles out of bed and over to her
desk, we notice a young man sleeping next to her.
The ringing continues. She moves