1.2. 페이터의 상대주의 예술론과 과학적 사고방식
페이터 논문의 서문과 결론에 눈에 띄는 특징 중 하나는 페이터가 종종 과학적 용어들, 내지는 과학적 저술에 쓰일 법한 표현들을 사용한다는 점이다. 가령 ‘formula’, ‘receptacles’, ‘primary data’ 그리고 ‘susceptibility’와 같은 용어들은 주로 과학
portrait of Mona Lisa, who happens
to be seated in a stool before the easel. She broadly
smiles, revealing the worst dental work of her epoch.
Da Vinci shakes his head and moves out onto a
EXT. CASTLE TERRACE
A FLYING APPRENTICE sails past Leonardo in a bat winged
glider, enthusiastically shouting. Da Vinci grins back
until he touches his pocket. He pulls out the crystal
and, after a beat, angril
Renaissance," unquote.
In terms of influencing movements.
So these canvases that
theyre turning out these days...
...with paint dripped
and splotched on them...
...theyre as worthy of our attention
as Michelangelos Sistine Chapel?
Im not comparing them.
Have you ever seen
the Sistine Chapel, Miss Watson?
Actually stood there?
Ive never been to Europe.
I can assure all of you this is the place
I w
Renaissance ...
to draw in perspective.
May I?
Hey, Hey! You want to hold off
on that until I mark the aperture?
The pinhole focuses the light.
You have that flashlight?
-- Yah.
Take it down
I would love to get up there.
I do not know, man.
I could smell it down the hallway.
Did you see they called Stan Aubray in?
Nope. Hey, hes on one of my classes
I thought they retired him already
God...
-- Wa
Renaissance)’라는 용어는 대략 14세기 후반 이탈리아에서 시작되어 그 후 16세기에는 북유럽으로까지 확산된 사상 ․ 문화 ․ 예술 전 분야의 새로운 경향을 일컫는 말이다. 르네상스는 재생 또는 부활을 의미하는데, 이탈리아인들에게 부활이라는 관념은 자신들이 한때 문명세계의 중심이었다는