인어공주
1. 줄거리와 OST
영화는 바닷가 위로 배가 지나가며 시작된다. 뱃사공들의 노래가 흐르며 뱃사공들 은 바다의 왕 트리톤과 인어족에 대해 이야기한다. OST: Fathoms Below 바닷속의 인어족과 생물들이 트리톤 궁전으로 모여든다. 트리톤 왕이 화려하게 등장하고, 궁중 악단의 지휘자 세바스찬이 뒤
On a distant, rainy hill, the old Frankenstein castle, as we knew and loved it, is illuminated by ANOTHER BOLT OF LIGHTNING.
MUSIC: AN EERIE TRANSYLVANIAN LULLABY begins to PLAY in the background.
ANOTHER ANGLE
As we MOVE SLOWLY CLOSER to the castle. It is completely dark, except for one room - a study in the corner of the castle - which is only lit by candles.
Now we are just outside a rain-spla
Amadeus
1 INT. STAIRCASE OUTSIDE OLD SALIERIS SALON - NIGHT - 1823 1
Total darkness. We hear an old mans voice, distinct and in distress. It is OLD
SALIERI. He uses a mixture of English and occasionally Italian.
OLD SALIERI
Mozart! Mozart! Mozart. Forgive me! Forgive your assassin!
Mozart!
A faint light illuminates the screen. Flickeringly, we see an eighteenth century
balustrade and a flight of
Metropolis Script
More than a quarter of the film
must be regarded as irretrievable lost.
Few other films have been so
systematically changed, mutilated,
corrupted as this one. Shots and titles
have been omitted and changed
However, of no other such mistreated film
do we know so well
what the film originally looked like.
Fritz Lang and Thea von Harbou,
different-sex Siamese twins.
Just like their
MR. BEAN
By
Richard Curtis
And
Robin Driscoll
INT. NATIONAL GALLERY. BOARDROOM - DAY
A very grand room, with lots of wood and some very famous portraits round the walls.
A group of grave gentlemen and gentlewomen. They are the trustees of the National Gallery. LORD WALTON, a very grand man, sits at the table head. To his right sits his assistant, GARETH. All are deep in thought. LORD WALTON fidge