whiteporcelain tray.
VISUAL FX TRANSITION TO:
EXT. SAN PIEDRO ISLAND - DAY
Snow falling on cedars.
The heavens descend softly onto our island. Exquisite,
silent, hypnotic. An epic snowfall inspiring awe at our
frailness against the limitless scope of nature. As CREDITS
BEGIN...
TRANSITION TO:
EXT/INT ISHMAELS APARTMENT - DAY
Through a snow covered window we see a pensive, sombre young
man in his
white pantaloons, the legs swinging
gently. Ticking of clock audible.
INT. HALL -- DAY
ALICE rushing up stairs past camera.
ALICE: Pest, pest!
INT. ROSALEENS ROOM
close shot of a porcelain grandMOTHER doll with wire--framed spectacles and
a ruffled bonnet, moving slightly in what seems to be a light breeze.
Ticking clock.
EXT. HOUSE
FATHER and MOTHER carrying plastic bags of groceries from the ca
Pitch black. Dead quiet. Dim faint light appears in the distance, approaching, growing larger. As the light nears, we recognize car headlights. Closer and closer until the car is bearing down upon us with great force. . .
2 INT. CAR 2
Two men in the front seat, FISHER and MOORE. Fisher drives. All seems quite normal until we take a closer look, sweat matts hair, dirt stains on white tuxedo shirts
WHITE SQUALL
by
Todd Robinson
FADE IN:
SUPER: A TRUE STORY - MYSTIC HARBOR CONNECTICUT 1994
CREDITS OVER
Wind on the water. Soaring gulls and sand pipers glide
over the pilings and sagging bulkheads.
OLDER CHUCK (V.O.)
Though I hadnt seen or spoken to
Sheldrake in over thirty years, it
seemed impossible that his heart was
the thing that had finally failed
him...
??
INT. LATE MODEL CAR - SAME
CHUC
sidewalk; others in the rainbow
spray from the fishmongers hose.
The building across from the fish market with the metal door
above concrete steps. It opens.
STARLING
Heads up.
A large white man in a luau shirt and sandals comes out
with a satchel across his chest, other hand behind the case.
A wiry black man comes out the door behind him, carrying a
raincoat, and behind him, Evelda Drumgo.
S