TWELVE MONKEYS
An original screenplay by
David Peoples
&
Janet Peoples
Inspired by
LA JETEE, a Chris Marker Film
Production Draft
June 27, 1994
FADE IN:
INT. CONCOURSE/AIRPORT TERMINAL - BAY
CLOSE ON A FACE. A nine year old boy, YOUNG COLE, his eyes wide
with wonder. watching something intently. We HEAR the sounds of
the P.A. SYSTEM droning Flight Information mingled with the
sounds of urgent SHO
concourse. Thank you.
Good to see you again, son.
Hello doctor.
Everything that follows is
a result of what you see here.
Is there something you want tell me?
Im sorry. My responses are limited.
You must ask the right questions.
Why did you call me?
I trust your judgement.
Normally, these circumstances
wouldnt require a homicide detective.
But then our interactions have
never been Nentirely norm
오늘날 지하철 환경조형물은 “건축물 부설장식”이나 “규모가 큰 사적 예술품”이라고 표현하기 보다는 오히려 지하철역사의 특성화를 위한 지역의 이미지나 지역의 문화를 시각적 상징성에 적용하여 아름답고 인간적인 지하철역 환경을 조성하는 시각적 환경예술 이라고 정의하는 것이 바람직하
SLEEPLESS IN SEATTLE
By Jeff Arch
Rewritten: Nora Ephron & Delia Ephron
May 10, 1992
FADE IN:
CLOSE ON SAM BALDWIN
A card: Chicago.
Hes in his thirties. His neck is pinched into a crisp
dress shirt and tie. His expression is vacant, faraway.
A breeze blows but he doesnt react to it. In the
distance the architecture of the Chicago skyline.
SAM
Mommy got sick and it happened
just like that an
-- TERMINATOR 2 SCRIPT --
1 ext. city street - day 1
Downtown L.A. Noon on a hot summer day. On an EXTREME LONG LENS the
lunchtime crowd stacks up into a wall of humanity. In SLOW MOTION they
move in herds among the glittering rows of cars jammed bumper to bumper.
Heat ripples distort the torrent of faces. The image is surreal,
dreamy... and like a dream it begins very slowly to
dissolve to:
2 e