four years.
So lets keep our inaugural hair down
with some more music.
Lets do it right now.
EXcuse me, do you have a light?
If you wanna look down my dress,
you should grow a few inches.
- Wanna dance?
- The twist?
No, thank you.
- Well, we dont have to twist.
- "No" meant "no".
- "No" wasnt a figure of speech?
- No.
- Youre pretty impressed with me.
- No.
Yes, you are.
Stoli, straight up.
So I
immeasurably
to our scientifiic knowledge...
and will usher in a new era
of goodwill...
as the platform passes across
all national boundaries...
- Oh, uh, excuse me, please.
Ladies and gentlemen, thats
the president calling Mr. Cramden.
I want to congratulate you on your part
in this magnificent achievement, Lloyd.
Thank you, sir. Thank you.
I must say, now that its over,
I can use a little relax
ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we
four in the morning!
- Good evening, Father.
- How do you stand London society?
A lot of damn nobodies
talking about nothing!
Nothing is the only thing
I know anything about.
Thats a paradox, sir. I hate paradoxes.
So do I. Everyone one meets
is a paradox nowadays.
It makes society so... obvious, hm?
Do you always understand
what you say, sir?
Yes,... if I listen attentively.
Brrrrr!
Oh, conceite
-----------------------------------------------
The Maltese Falcon Script
Yes, sweetheart?
A girl wants to see you. Her names Wonderly.
A customer?
I guess so. Youll want to see her, anyway. Shes a knockout.
Shoo her in, Effie, darling. Shoo her in!
Will you come in, Miss Wonderly?
Thank you.
- Wont you sit down, Miss Wonderly? - Thank you.
I inquired at the hotel for a reliable private detective