Beyond a thick stand of trees is the vegetation-enshrouded TEMPLE OF THE CHACHAPOYAN WARRIORS.
The entire party is struck by the sight. The Indians, terrified now, chatter away. Suddenly the three at the back turn and run, dropping their packs as they go. Barranca yells at the fleeing Indians and pulls his pistol out. He starts to raise his arm to aim but Indy restrains it in a muscular grip.
aim high
Hey, Vitali! Stop fucking around! I wanna talk to you
You read newspaper Vit?
Newspaper? It is always the same
You are right! Everyday there is people shooting each other
You know what I do when I see that? I look to see what guns they are using
and I think to myself why not my guns
What? You gonna open a gunshop?
Orli! There more of those in America than McDonalds
Even with all the gang
my friend.
Those with a rope around their neck...
...and the people who have the job of doing the cutting.
Listen, the neck at the end of the rope is mine!
I run the risks.
So, the next time, I want more than half!
You may run the risks, my friend, but...
...I do the cutting.
If we cut down my percentage...
Cigar?
...it might interfere with my aim.
But if you miss, you had better miss very well.
U-Turn
(Stray Dogs)
Screenplay by
John Ridley
and
Richard Rutowski & Oliver Stone
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
SOFT COPY.
EXT. SOMEWHERE IN THE DESERT SOUTHWEST - DAY
BEGIN TITLES OVER:
It is early morning and already hot. INSECTS drone, crackle,
and scurry for shade. PRAIRIE DOGS burrow to escape the sun.
We
pistol dangling at his side. We dont know him, and
its going to be a while before we see him again, but mark
his face because well see him again. The Killer now picks
up the dark shape in the Bodys hand, and we see its - A
BRIEFCASE. The Killer cuffs the Briefcase to his wrist and
turns to - TWO MEN standing behind him: subordinates. The
Killer shows them the Briefcase.
KILLER
God loves me.
THE B