영문 UTurn 영화 대사

 1  영문 UTurn 영화 대사-1
 2  영문 UTurn 영화 대사-2
 3  영문 UTurn 영화 대사-3
 4  영문 UTurn 영화 대사-4
 5  영문 UTurn 영화 대사-5
 6  영문 UTurn 영화 대사-6
 7  영문 UTurn 영화 대사-7
 8  영문 UTurn 영화 대사-8
 9  영문 UTurn 영화 대사-9
 10  영문 UTurn 영화 대사-10
 11  영문 UTurn 영화 대사-11
 12  영문 UTurn 영화 대사-12
 13  영문 UTurn 영화 대사-13
 14  영문 UTurn 영화 대사-14
 15  영문 UTurn 영화 대사-15
 16  영문 UTurn 영화 대사-16
 17  영문 UTurn 영화 대사-17
 18  영문 UTurn 영화 대사-18
 19  영문 UTurn 영화 대사-19
 20  영문 UTurn 영화 대사-20
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    영문 UTurn 영화 대사에 대한 자료입니다.
    본문내용
    U-Turn
    (Stray Dogs)
    Screenplay by
    John Ridley
    and
    Richard Rutowski & Oliver Stone
    NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
    AND SOME "OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR THIS
    SOFT COPY.
    EXT. SOMEWHERE IN THE DESERT SOUTHWEST - DAY
    BEGIN TITLES OVER:
    It is early morning and already hot. INSECTS drone, crackle,
    and scurry for shade. PRAIRIE DOGS burrow to escape the sun.
    We can see the heat shimmering off the surface of the Earth.
    On a dusty highway, a pair of VULTURES dine on a dead coyote.
    One of them snags an intestine and tugs a few feet of it out of
    the carcass.
    In the distance, where a long, dusty road meets the horizon, a
    small shape appears -- a Sixty-four-and-a-half Mustang
    convertible, its top down. Its candy-apple red burns like a
    brilliant fireball under the sun. As the car drifts closer, we
    see steam escaping from under the hood. Sammi Smiths "Please
    Help Me Get Through The Night" plays on the cars radio.
    INT. BOBBY COOPERS MUSTANG - DAY
    At the wheel, ignoring impending disaster, BOBBY COOPER, young,
    good-looking, fiddles with the RADIO dial, annoyed only to find
    country stations. Hes been driving since noon yesterday and it
    shows -- along with a heavily-bandaged left hand resting on the
    steering wheel. He finds something by Pearl Jam or Smashing
    Pumpkins and he cranks it. He pops a Percodan with his good hand
    as, in the shimmering distance ahead, he sees black shapes in
    the road and lays on the horn.
    BOBBY
    Get off the goddamn road!
    EXT. DESERT ROAD - DAY
    As the MUSTANG powers by, the VULTURES move off the shoulder,
    silently watching.
    INT. MUSTANG - DAY
    The RADIO blares as BOBBY fights to stay awake. His attention is
    caught by blue and red lights flashing in the oncoming lane. He
    sits up as the POLICE CAR (SHERIFF POTTER inside) closes
    quickly. The SIREN starts faintly, then SCREAMS as the cruiser
    roars past at speed.
    BOBBY
    Fuck you!
    There is a loud pop from the front of the Mustang and a thick
    cloud of steam now pours from the hood. The temperature gauge
    now starts rising.
    BOBBY
    No!...Not now!...Shit!
    A couple of SEMIS roar past in the opposite direction,
    buffetting the Mustang with their air waves.
    EXT. FORK IN THE ROAD - DAY
    The car rolls into a fork in the road, limping with the droop of
    an animal that wont make another hundred yards.
    One sign on the larger road says "GLOBE" is 29 miles away. The
    other sign, on the lesser road, tells us "SUPERIOR" is only 2
    miles. A third sign confirms his destiny with "Gas, Food, 1
    Mile."
    BOBBY seems to have no choice. He aims the car down the lesser
    road towards "Superior, Arizona."
    EXT. OUTSKIRTS SUPERIOR - DAY
    The car rattles on its last legs, as BOBBY mutters incantations,
    noticing a old, ghostlike MINING COMPANY at the base of the
    mountains overlooking the TOWN. Its deserted now, no one
    visible, the gates shut, but in its vast, dark bulk, we sense
    the ancient richness and power of this town. Bobby moves on.
    EXT. HARLINS GARAGE - DAY
    Down the road from the MINING COMPANY, BOBBYS CAR pulls into a
    small GAS STATION, made of weather-beaten wood, its windows long
    since dusted over. The pumps themselves look to have been
    manufactured in the early fifties. Above the station is a sign
    so faded its barely readable: HARLINS.
    Bobby gets out of the car and with great care, favoring his
    bandaged left hand which seems to give him a great deal of pain,
    he opens the hood. A plume of steam hits him in the face.
    BOBBY
    Oh shit!
    Bobby looks around for someone, anyone. After a few moments he
    reaches into the car and blows the horn. He waits, then blows
    it again. From out of the station walks DARRELL - a
    slow-looking man in coveralls caked with grease and dirty. He
    looks the part of a yokel.
    BOBBY
    You Harlin?
    DARRELL
    Nope. Darrell.
    BOBBY
    Harlin around?
    DARRELL
    Hes up at the Look Out.
    Darrell points a scraggly finger at a plateau in the distance.
    BOBBY
    Will he be back soon?
    DARRELL
    Doubt it. Hes dead. The Look Outs a
    cemetery.
    BOBBY
    You own this place?
    DARRELL
    Yep.
    BOBBY
    Then why do you call it Harlins?
    DARRELL
    Cause Harlin used to own it.
    BOBBY
    But hes dead.
    DARRELL
    So?
    Bobby is confused, but chooses to drop the matter.
    BOBBY
    You want to take a look at my car? I think
    the radiator hose is--
    DARRELL
    Damn. Gonna be another hot one today.
    Sometimes I dont even want to get out of
    bed. Course dont want to get out for the
    cold ones neither. Then of course the
    clouds come in...
    Darrell mops his brow with a greasy rag. It doesnt so much
    wipe the sweat as it does streak his forehead with dirt.
    BOBBY
    Look, Harlin, Ive got places to be.
    DARRELL
    Darrell--
    BOBBY
    OK. Darrell... Could you just take a look
    at my radiator hose. Its busted.
    Darrell is clearly upset at being cut off. He leans into the
    car and looks at the engine.
    BOBBY
    So?
    DARRELL
    Its your radiator hose. Its busted.
    BOBBY
    I know its busted. What did I just tell
    you?
    DARRELL
    Well, you know so much why dont you just
    fix it yourself?
    BOBBY
    If I could do you think Id be standing
    here wasting my time. Can yo
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