Dancer.
Okay, Rammy, what would you say
your specialty is?
Well, I move smooth.
I take instruction easily.
Im not afraid to try new things.
Good. We like that.
How big are you hard?
Yes, I work very hard.
No. Your johnson.
How big is your johnson?
RAMU: Johnson?
DWAIN: Your wand.
Your pork-sword. Your baloney pony.
Would you like to see my Macarena?
Is that what you call it
in your part of the wo
wheelchair. At 22his eyes are
hardened by the wisdom and wariness of one who has endured
pain beyond his years.
Jake stares upward at the levels of the city. MAGLEV TRAINS
WHOOSH overhead on elevated tracksagainst a sky of garish
advertizing.
JAKE (V.O.)
They can fix a spinalif you몶ve got the
money. But not on vet benefitsnot in
this economy.
The traffic light changes and Jake pushes forward wi
wheelchair stares at him from the doorway.
The man is CHRISTOPH. Dark robes shroud his shriveled,
decaying body but his eyes still burn with life.
CHRISTOPH
(raspy voice which
labors to be heard)
May I trouble you with a confession?
Even in the flickering half-light of the candles, the
Priest can see that Christoph is dying.
PRIEST
Never a trouble.
The large statue of Jesus over the alter staring
Life Stinks Script
...down twenty-four points
in light trading...
sixty-two million shares.
declines outnumber advances
three to two.
new claims for unemployment
benefits rose ...
in the fourth week of April
to .
The number of persons
collecting benefits rose .
They still are running
at about . million.
The weekly jobless claims
figures...
are the earliest indication
of how the economy is doing..
SLEEPLESS IN SEATTLE
By Jeff Arch
Rewritten: Nora Ephron & Delia Ephron
May 10, 1992
FADE IN:
CLOSE ON SAM BALDWIN
A card: Chicago.
Hes in his thirties. His neck is pinched into a crisp
dress shirt and tie. His expression is vacant, faraway.
A breeze blows but he doesnt react to it. In the
distance the architecture of the Chicago skyline.
SAM
Mommy got sick and it happened
just like that an