make the skirt slit higher?
Sure!
Look, a comet!
Jane! You naughty girl!
Landlord! Youre such a scoundrel!
Dont go, Jane! Stay and chat!
Im only kidding. Jane!
Landlady!
Landlady!
What happened to the water?
Water aint free!
You talk a lot for someone
who wont pay his rent.
But Im in the middle of a shampoo.
You think thats a problem?
From now on, no water on Mondays,
Wednesdays and Fridays.
Wate
Film I saw was the chief of detectives.
- I think weve got about, uh...
ten seconds on the shooting itself.
The whole thing is . .
- Where does that come out?
- About . .
- Are we using Squeaky Fromme?
- Lets do that in two.
Squeaky. Ford at the airport. Bounce.
You using a map going
into San Francisco?
Um, Id prefer news pics.
All right. What have we got left?
Gun control, Patty Hearst affidavit
film will not be on what the creatures do,
but on what the creatures do to reveal the inner nature of the characters.
For PITCH BLACK is, at its heart, a story of humanity and courage -- and
lack of the same.
David Twohy
CUT IN:
INT. MAIN CABIN
A CRYO-LOCKER BLOWS OPEN, spitting out...
CAROLYN FRY. She hits the deck of the main cabin: Four crew
lockers in a forward section, countless more in b
makeshift studio,
and basically make
the situation uncomfortable.
You know, dont buy new furniture,
dont paint the walls.
Dont do anything.
Just keep it Spartan, keep it crude.
Theyre such a success
that you can get comfortable.
I dont think they wanna be
comfortable.
Theres definitely a vibe in here.
They got a lot of attitude,
and I think they want it
to come out on this next album.
How did you
inserts it
into a collection tube, something makes him turn.
Theres something across the street in the dark. Something alive.
COLE points his flashlight and reveals...a BEAR! Startled by the
light, the animal blinks, then stands on its rear legs and ROARS.
ANGLE ON COLE, staring wide-eyed.
Then, the BEAR sinks down onto all fours and, trying to avoid the
flashlight, it pads quickly down the st
THE TALENTED MR. RIPLEY
Screenplay By
ANTHONY MINGHELLA
Based On The Novel By
PATRICIA HIGHSMITH
1st November 1999
1958
PROLOGUE: INT. RIPLEYS CABIN. EVENING.
Fade up on Ripley, as in the final scene of the film,
sitting, desolate in a ships cabin. The camera rotates
around his face, which begins in light and ends in darkness.
RIPLEY (O/S)
If I could just go back. If I could rub
everything out. S
make it hard to strike a
really romantic note.
SPIKE
Point taken.
He heads back up the stairs... talks as he changes...
SPIKE
I suspect youll prefer the next one.
And he re-enters in a white t-shirt, with a large arrow,
pointing down to his flies, saying, Get It Here.
SPIKE
Cool, huh?
WILLIAM
Yes -- she might think you dont have
true love on your mind.
SPIKE
Wouldnt want that...
(and back up he
makes gestures that they must immediately bring it to higher
safer ground. The piano placed to her satisfaction she hovers near it,
one hand in constant touch of it while her daughter grips her free
hand.
Sc 10 EXT BEACH DAY Sc 10
TWO SEAMEN finish carrying the last crate to shore. Trunks and boxes
including an open crate with hens are scattered carelessly along the
shore.
The SEAMEN gather
Make sure youve got the
windows closed.
CUT TO
INT. CAR WASH. -- NIGHT
ZOE
(over the phone)
Remember that time we were having
the car washed and I started playing
with the automatic window? How old
was I, Daddy? Five or six? I got
absolutely soaked, remember?
MITCHELL
Why are you calling me, Zoe?
CUT TO
INT. PHONE BOOTH -- NIGHT
ZOE
Why am I calling you? Youre my
father. Im not supposed to call
y
film, TV. Just incorporated.
Hes bigtime. Also, hes gay.
Dont start, Perry, huh?
I seen you play ball. Youre tough.
But you see a naked guy...
...your brain says, "I want that. "
I dont make that leap. Its like,
"Look, theres an elephant. Quick...
...lets drain its blood
to paint my boathouse. "
Its just that thats not the first thing
you think of.
L.A.
By now you may wonder
how I wound up here,