영문 The SWEET HERE AFTER 달콤한 후세 영화 대사

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    영문 The SWEET HERE AFTER 달콤한 후세 영화 대사에 대한 자료입니다.
    본문내용
    THE SWEET HEREAFTER
    By
    Atom Egoyan
    Based on the novel by
    Russell Banks
    ??
    Final revised draft
    Copyright c1997 Ego Film Arts
    All Rights Reserved
    ??
    ??
    FADE IN
    INT. SUMMER COTTAGE -- DAY
    A young family together in bed. It is a bright summer
    morning. Father, mother, and a three year old girl are
    still asleep. They are naked. A light breeze drifts into
    the room. The scene is serene and softly suspended.
    Head credits appear over this idyllic image. The little
    girl turns in her sleep. A dog barks outside.
    CUT TO
    INT./EXT. CAR WASH. -- NIGHT
    From the peaceful tableau of the sleeping family, the scene
    shifts to a vehicle entering a car wash. The image is shot
    through the windshield, from the drivers point of view.
    The car enters the lathered world of spinning felt wheels
    and gushing water.
    CUT TO
    INT. CAR WASH. -- NIGHT
    Inside the car MITCHELL STEPHENS, a man in his mid-fifties,
    listens to a stirring piece of music. The sound of the car
    wash is filtered out by the strains of music.
    CUT TO
    EXT. PHONE BOOTH -- NIGHT
    The phone booth is located in a rundown area of a large
    city. A young woman, ZOE, enters the booth and lifts the
    receiver.
    CUT TO
    INT. CAR WASH. -- NIGHT
    MITCHELL STEPHENS is going through the wash. The automatic
    mops and buffers embrace his car with water and suds. The
    cellular phone in the car rings. MITCHELL picks it up.
    MITCHELL
    Yes? Yes, Ill accept the charges.
    CUT TO
    INT. PHONE BOOTH -- NIGHT
    ??
    ??
    ??
    ??
    ??
    ??
    ZOE is on the phone. Theres a figure outside the booth
    waiting for her.
    ZOE
    Daddy, its me...How are you doing?
    Thats great...Where are you?
    Whats that sound?
    CUT TO
    INT. CAR WASH. -- NIGHT
    MITCHELL in his car, playing with the volume on his radio.
    MITCHELL
    Im in a car wash.
    CUT TO
    INT. PHONE BOOTH -- NIGHT
    ZOE
    A car wash! Wow, Ive never talked
    to you when youve been in a car
    wash. Make sure youve got the
    windows closed.
    CUT TO
    INT. CAR WASH. -- NIGHT
    ZOE
    (over the phone)
    Remember that time we were having
    the car washed and I started playing
    with the automatic window? How old
    was I, Daddy? Five or six? I got
    absolutely soaked, remember?
    MITCHELL
    Why are you calling me, Zoe?
    CUT TO
    INT. PHONE BOOTH -- NIGHT
    ZOE
    Why am I calling you? Youre my
    father. Im not supposed to call
    you? Whats the matter with wanting
    to talk to you, Daddy?
    CUT TO
    ??
    ??
    ??
    ??
    ??
    ??
    INT. CAR WASH. -- NIGHT
    MITCHELL
    Nothings wrong with trying to talk
    to me, Zoe.
    ZOE
    (over the phone)
    So whats the problem?
    MITCHELL
    The problem is I have no idea who
    Im talking to right now.
    ZOE
    (over the phone)
    Cause you think Im stoned, Daddy?
    Cause you think Ive got a needle
    stuck in my arm? Is that what
    youre thinking, Daddy?
    Pause. MITCHELL doesnt respond.
    CUT TO
    INT. PHONE BOOTH -- NIGHT
    ZOE
    Are you wondering if I scored,
    Daddy, and Im calling you for
    money? That Im begging? God, I
    dont fucking believe it!
    CUT TO
    INT. CAR WASH. -- NIGHT
    MITCHELL is emotionally stunned by ZOES voice. She is
    heard over the phone.
    ZOE
    (over the phone)
    Daddy! Are you listening to me,
    Daddy?!
    The music that MITCHELL has been listening to becomes louder
    as he stares at the spinning felt wheels of the car wash.
    ZOE (CONTD)
    DADDY!!!
    MITCHELL
    Yes.
    ??
    ??
    ??
    ??
    ??
    ??
    ZOE
    Why cant you talk to me?
    MITCHELL
    I...I just need to know what state
    youre in so I know...how to talk to
    you...how to act...
    MITCHELL is in pain. He closes his eyes.
    CUT TO
    INT. PHONE BOOTH -- NIGHT
    The phone booth is deserted. ZOE is nowhere to be seen.
    Over this image, the sounds of a band playing a blues
    number.
    CUT TO
    EXT. FAIRGROUND -- DAY
    The blues number continues as the camera cranes down to the
    bandstand of a country fair. A local band is rehearsing.
    Around the practising band, various carpenters and
    technicians are making final preparations for that evenings
    big event.
    One of the people watching the band is SAM BURNELL, a man in
    his early forties. He watches his daughter, NICOLE, as she
    sings into the microphone. NICOLE is sixteen.
    NICOLE stares at her father as she sings.
    ANGLE ON
    SAM looking back at his daughter. He is intensely proud of
    her. SAM is a carpenter, working on at the fair site. He
    gets back to his work, hammering a supporting beam into the
    grandstand.
    CUT TO
    INT. AIRPORT. WASHROOM -- AFTERNOON
    CLOSE UP of a three year old girl, staring up into the lens.
    Her face is full of sweetness and trust.
    ANGLE ON
    ??
    ??
    ??
    ??
    ??
    ??
    MITCHELL STEPHENS in a crowded airport washroom, watching a
    young father, PETER, trying to change the diaper on his
    three year old daughter.
    MITCHELL stares at the little girl, his face registering a
    wistful smile. PETER is having a hard time trying to find
    the towel from the toddlers bag and keeping an eye on her
    at the same time.
    MITCHELL
    Need a hand?
    PETER
    Sure, it you could find a towel in
    this bag. I know my wife packed one
    in there...
    MITCHELL comes forward and searches through the toddlers
    bag.
    MITCHELL
    You always think youre prepared for
    these things.
    PETER
    Tell me about it.
    MITCHELL
    How old is she?
    PETER
    Almost three.
    MITCHELL
    (finding a towel)
    Is thi