NOTE: Aerial dialogue in caps is UHF radio; plane to plane, plane to carrier. Aerial dialogue in small case is ICS; an inter-cockpit system; a live mike, heard by pilot and RIO only.
EXT. NIGHT
THE PACIFIC IS ANYTHING BUT WINDS HOWL. Rain drives horizontal. The sea surges up, nearly to the flight deck of the Aircraft Carrier USS Kitty Hawk. The carrier plunges, driving its bow into a wall of gre
REINDEER GAMES
by Ehren Kruger
FADE IN:
A FIGURE IN A SANTA CLAUS SUIT
lies face-down in a nighttime expanse of snow. One of the bodys
red-sleeved arms is twisted at a sickening angle. The white snow
beneath the figure is spreading with red.
REVEAL EXT. SNOWY ROAD - NIGHT
The figure in the suit lies motionless. Snowflakes drift.
INT. HALLWAY - NIGHT
Dark, rustic wood, an office with broken window
The lonely sound of a buoy bell in the distance. Water slapping against a smooth, flat surface in rhythm. The creaking of wood.
Off in the very far distance, one can make out the sound of sirens.
SUDDENLY, a single match ignites and invades the darkness. It quivers for a moment. A dimly lit hand brings the rest of the pack to the match. A plume of yellow-white flame flares and illuminates the bat
Ladykillers Script
The earth
Is in a blaze
The world
Is in a maze
The way
Of life today
Is strange and odd
What happened
Across the sea
May come
To you and me
Whoa. come
Let us go back
To God
Go back
- To God
- Oh. come on
Lets go back to God
- Let us go back
- Lets go back to God
- Come on
- Lets go back to God
- Let us go back
- Lets go back to God
- I know the way
- Lets go back to God
- Witho
THREE KINGS
a screenplay by
David O. Russell
Story by
John Ridley and David O. Russell
Draft Date: 6/22/98
FADE IN:
EXT. IRAQI DESERT - DAY
WIDE ANGLE POV of wide open desert, flat grey sky.
THE CAMERA is running forward, toward a big sand berm in the
distance. There are O.S. sounds: SOLDIERS EQUIPMENT
CLANKING, BOOTS RUNNING ON SAND. Hear a MANs BREATHING.
The back of his helmeted head and his u
Three of these creatures are men: the fourth is a woman. She is tall and has a magnificent body which is shown to its best advantage in a Krypton outfit that reveals more than it conceals: high boots, a clinging body suit, and all shiny black. Long raven hair frames a strikingly beautiful face; her eyes are almost fiery in their grace. A woman whose beauty makes strong men weak, she is consumed b
WITNESS
??
Screenplay by
EARL W. WALLACE
WILLIAM KELLEY
??
from a
story by
WILLIAM KELLEY
??
REVISED DRAFT
APRIL 23, 1984
??
??
1 EXT. LANCASTER COUNTY, PA. COUNTRYSIDE - DAY
(TITLE SEQUENCE)
The faces of several young children are presented in
CLOSEUP, as they walk TOWARD US across a ploughed
field. On the SOUND TRACK, the haunting SOUNDS OF A
GREGORIAN FUNERAL CHANT. The CAMERA PANS UP to the
f
DARK CITY
by
Alex Proyas
& Lem Dobbs
Revised draft May 9, 1994
INT. OPENING MONTAGE
OVER BLACK a low rumble increases in volume.
FADE UP:
A GLOVED HAND wraps around a bulky scissor-switch, thrusts
DOWN.
SNAP! - Electricity arcs through darkness.
OS SOUND of MACHINERY turning on.
TITLES OVER
MONTAGE OF CLOCKS - VARIOUS. The clocks are frozen, then second
hands turn - TICKING gets louder...
EXT. CI
LOST IN SPACE
by
Akiva Goldsman
CHAPTER 1: Earth 2058
---------------------
모
FADE IN ON:
EXT.-SPACE
PULL BACK slowly as MARS fills THE FRAME, a sphere of red desert and fast rushing crimson clouds.
A triangular CARGO SHIP descends from the dark of space.
PILOT (OVER)
Mars mining base, this is Grissom One,
Request final descent vector.
REVERSE ANGLE
EXT.-MARS
A row of giant red mountains and b