distance; he gets ready to leap.
He does -- at which point the tricky ram side-steps and
THE BOY LANDS FACE FIRST IN THE DIRT!
The BOY spits out sand as he gets to his feet.
Now the BOY grows uneasy at the sight of the ram charging up the
rear cliff face, taking the steep grade in leaps and bounds; then
the BOY is alarmed as the animal vanishes from sight behind the
jagged rocks high above.
E
scale of the "Chunnel".
A banner strung overhead reads: "The Mega-Tunnel -- Tunneling
Our Way to a Bright Future!" Along the walls hang 50s work-
incentive style posters with messages like, "You asked for
it, you got it -- more work!" and "TWO MEALS A WEEK IS
ENOUGH!!!" Line after line of ants is working on the tunnel,
digging, passing clumps of dirt from ant to ant, everyone
synchronized.
CLOSE
The lonely sound of a buoy bell in the distance. Water slapping against a smooth, flat surface in rhythm. The creaking of wood.
Off in the very far distance, one can make out the sound of sirens.
SUDDENLY, a single match ignites and invades the darkness. It quivers for a moment. A dimly lit hand brings the rest of the pack to the match. A plume of yellow-white flame flares and illuminates the bat
Kinsey Script
[ Man #1 ]
Dont sit so far away.
- Anything that creates
a distance should be avoided.
- [ Man #2 ] Okay.
And try not to frown.
- Im sorry. Was I frowning?
- You have to relax.
How can I be expected to open up
if youre not relaxed?
- Right.
- Take a deep breath.
Start again.
As you can see, this piece of paper
has been divided into squares.
There are 287 of them.
Your sex history wi
distance, but now growing tighter with menace.
In the unspoken manner of children at prey, the group
begins to chant in their native tongue - a song we have
not heard but sung in a way none-too inviting. They
begin to poke at her with the reeds, driving her back.
The girl now moves to the center of the circle, no longer
wishing to tag anyone.
ONE DEVIOUS CHILD seems to get an idea. He takes his
s
distance. We PAN TO REVEALa clump of logs half submerged in the swamp; and part of what seems to be a Falstaff beer can in the mud. A hand reaches out, and the beer can disappears. As we TILT UP, we NOTICEthat the log is hollow and houses the rear of a M-60 machine gun, hand painted in a paisley design.
Now the VIEW MOVES AWAY, ACROSS the ancient growth, PAST the glimmer of whatseems to be anothe
distance from Seoul is about 40km. (Gangnam - one hour, Sadang - 50 minutes) Based on the Southwestern Coast Highway in Gyeonggi, bordering to each region the north - Suwon · Ansan · Sihŭng, the east - Yongin, the west - Ongjingun and the south - Osan · Pyeongtaek.
In addition, Hwaseong Hyangnam district is located with close to the Geum-Ui Industrial Complex, Bal-An industrial complex,
distance to Seoul, suwon, IC
Industrial complex
Distribution of diverse industrial region
Ripple effect
High density houses
Basic direction
Role performance as behind-the-scenes residential around development of industrial estate
Role performance of commercial, business, dwelling with Baran’s life zone as the center
Construction of eco-friendly residential development
ENTRAPMENT
Ronald Bass
First Draft Screenplay
December 2, 1996
Story by:
Ronald Bass
and Michael Herzberg
EXT. HANCOCK TOWER, CHICAGO - LATE NIGHT
Lake Shore Drive. Four oclock in the morning. Minimal traffic,
minimal life. As MAIN TITLES BEGIN, we PAN UP the face of...
...Hancock Tower. Up, up, forty floors, sixty, eighty, very dark
up here, street sounds fading fast, and as CREDITS CONTINUE we
SLEEPLESS IN SEATTLE
By Jeff Arch
Rewritten:
Nora Ephron & Delia Ephron
May 10, 1992
--------------------------------------------------------------------------------
FADE IN:
CLOSE ON SAM BALDWIN
A card: Chicago.
Hes in his thirties. His neck is pinched into a crisp
dress shirt and tie. His expression is vacant, faraway.
A breeze blows but he doesnt react to it. In the
distance the architect