"BATMAN RETURNS"
1 INT. A STUFFY MANSION--A NIGHT ABOUT FORTY YEARS AGO 1
The viewer floats through an overbearing mansion and
up its sweeping staircase to where a stern man in
conservative dress is pacing back and forth, smoking a
cigarette in a cigarette holder. He is the FATHER. The
throes-of-labor pants and moans of the MOTHER can be
heard from down the hall.
Now, eerie Gaas and Goos chill th
12 and holding
by
Anthony S. Cipriano
FADE IN:
EXT. NEIGHBORHOOD STREET - MORNING
TWIN BOYS, RUDY AND JACOB CARGES (12), ride their bikes
through a suburban neighborhood.
Rudy, the more athletic of the two, rides at a breakneck
pace. Jacob rides slowly due to a HOCKEY MASK that he wears
over his face. It??s making it difficult for him to see. The
boys turn down a DIRT PATH and ride deep into some
Silent and endless. The stars shine like the love of God... cold and remote. Against them drifts a tiny chip of technology.
CLOSER SHOT
It is the NARCISSUS, lifeboat of the ill-fated star-freighter Nostromo. Without interior or running lights it seems devoid of life. The PING of a RANGING RADAR grows louder, closer. A shadow engulfs the Narcissus. Searchlights flash on, playing over the tiny ship
Runaway Bride
Screenplay by
Sarah Parriott & Josann McGibbon
FADE IN
EXT. AN IMPOSSIBLE EXPANSE OF MARYLAND FARMLAND - DAY
The wind rustles the endless field of corn, blows over the
freshly mown meadow of soybeans, and magically sways a copse of
trees.
Its a Fall after-noon. A SUDDEN POUNDING OF GALLOPING HOOVES
breaks the peace and... A HORSE and RIDER burst between the rows
of corn into th
The camera is moving toward an Indian city. We are high and far away, only the sound of the wind as we grow nearer and nearer, and through the passing clouds these words appear:
No mans life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the
A beautiful golden sun is setting. The sky is on fire. The CAMERA starts to move downwards. A large neon sign rises into shot. It rests on top of a skyscraper and fills the frame. The building is neither past nor future in design but a bit of both.
Slowly we pan downwards revealing the city that spreads below... A glittering conglomeration of elevated transport tubes, smaller square buildings wh
HEATRE
We see a surgical table, its contents obscured by the shadows,
save for the back of a malformed head. Computer banks and monitors
are everywhere. A small ROBOT works beside the table - implanting
a cable into the back of the malformed head. It throws a switch.
Raw energy blows through the cable, causing the "patient" to
convulse and writhe, screaming.
CLOSEUP - METALLIC SHAFT
as it begins
TRUE LIES
WRITTEN
BY
JAMES CAMERON
-----------------------
TITLE SEQUENCE
1 EXT. MOUNTAINS, NEAR GENEVA, SWITZERLAND - NIGHT
The snow covered Alps stand out clearly in the light of a full
moon. A fortress-like CHATEAU is situated in a flat saddle of
forest partway up the mountain, next to a frozen lake. The
property is surrounded by high stone walls, and the stately
grounds are bathed in floodli
Nutty Professor 2: The Klumps Script
Well, look what rolled in.
You know, at first, I thought you was old-ass Raisinet riding on a skateboard.
Id like to come over there and choke the life out of you right in front of Jesus.
Sweet Lord, give me strength. Dont make me have to whup nobodys head in church.
Ignore him, Lord. Ignore all his prayers.
He aint nothing, never did nothing. Give him a strok
PAN DOWN TO A ROW OF 몷TELLERS몶 CAGES몸 with long lines of PEOPLE waiting to collect their unemployment checks. A sign above the first window says 몷A - F몸, the second window is designated 몷G - L몸 and so on.
CLOSE ON THE SECOND WINDOW -- Waiting his turn at the head of the line is a BLACK MAN in his early 30몶s. He kills time by trying to make a beat-up old wooden yo-yo perform the ba